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...Archangel Michael" (later the Iron Guard) was founded in Rumania. In recent years every effort by Carol to squelch the Guard - and over 2,000 youths of the Guard were executed last year by royal decree in a blood purge - has been quietly blocked by the Führer. Here was a ready-made fifth column and Hitler was not going to let it be wiped out. The Iron Guardists, nearly all fanatical Rumanian patriots of Sinn Fein recklessness, were not men to refuse German money or refuge in Germany when they had to skip Rumania...

Author: /time Magazine | Title: RUMANIA: God Help Your Majesty | 9/16/1940 | See Source »

...resignation last week, hoped the Nazis would permit its members to return as ordinary refugees. In Brussels pro-German Henri de Man, onetime Minister of Finance and President of the Belgian Labor Party, was rated as the Belgian equivalent of Pierre Laval in France. Leon Degrelle, flashy Führer of the Belgian Rexist (fascist) Party, was released from prison by the Nazis and worked hard to gain power...

Author: /time Magazine | Title: BELGIUM: Life in the Shadow | 9/2/1940 | See Source »

Safe in Portugal, after a report last month of his capture by the Nazis in Paris, was grim, Hitler-hating Otto Strasser, leader of the subterranean Black Front, who hope some day to erase the Nazi Führer...

Author: /time Magazine | Title: People, Sep. 2, 1940 | 9/2/1940 | See Source »

...measure of national vitality, has insisted that Germany's artists, like Germany's women, create prolifically for the Fatherland. Three weeks ago, a month after Critic Hitler had taken a tourist's view of Paris' half-empty Louvre Museum (TIME, July 8), Deputy Führer Rudolf Hess opened in Munich a huge exhibit (1,397 paintings and sculptures by 741 Germans) showing what Germany's laboring artists had brought forth. Though strong on quantity, the Munich exhibition failed to keep up even the humdrum quality of competent imitative craftsmanship that has characterized the general...

Author: /time Magazine | Title: Art: Critic Adolf | 8/26/1940 | See Source »

Hitler's artists (nearly all unknown outside Germany) had sheep-footed it neatly along their Führer's academic path. Patriotism, heroism, war and svelte, 100% Nordic nudes dominated the show, with many busts and figures of Mussolini and Critic Hitler thrown in for good political measure. The most competent of this art (like the innocuously pleasant white Aryan nude of No. 1 Reich Sculptor Josef Thorak) would not have disgraced a high-class Victorian barroom of the 18905. The worst of it, resplendent with heiling storm troopers and Prussian eagles, would have looked well...

Author: /time Magazine | Title: Art: Critic Adolf | 8/26/1940 | See Source »

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