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...move from the Bach Society to the HRO, however, Senturia took the long route around: Gaining experience in Munich through study and by work for a few weeks "with a second-rate opera company, one which traveled from village to village presenting operas." As recipient of the Paine Traveling Fellowship in Music during 1958-59, he studied at the Munich Conservatory--and even gained an offer of a job conducting an orchestra for Siemens Electric, "the General Electric of Germany...

Author: By Claude E. Welch jr., | Title: The Music Man | 10/28/1959 | See Source »

...This company hires a regular chamber orchestra to play for its workers, as a regular part of their employee public relations." As attractive as this position may have seemed, he turned it down to accept his present dual job of conducting the HRO and teaching a graduate course...

Author: By Claude E. Welch jr., | Title: The Music Man | 10/28/1959 | See Source »

...finished musician. I'm still studying with scores, at the piano, or `by ear. There is no real set pattern of advanced study for a musician, and as a conductor I must build up my repertory." To help accomplish this, and, more important, to provide more interest at the HRO's rehearsals, Senturia often conducts the Orchestra in pieces not meant specifically for concerts, a new practice this year. "This gives us all more variety and wider acquaintance with musical literature...

Author: By Claude E. Welch jr., | Title: The Music Man | 10/28/1959 | See Source »

...concerts presented by the HRO this year also will differ from the patterns of previous years. "We hope to present short programs of music of more than common interest and less than common knowledge," Senturia states. For example, in Friday's concert, the Orchestra will present Stravinsky's "Symphonies of Wind Instruments," "a particularly uncompromising piece," Senturia's own arrangement for strings of Bach's six-part Ricercar, from "The Musical Offering," plus the Beethoven concerto...

Author: By Claude E. Welch jr., | Title: The Music Man | 10/28/1959 | See Source »

...respects, and I am not convinced this is the best place for a performing musician." Contemporary composers should come to the University to play and speak with undergraduates "or else the entire musical community cannot flourish," Senturia recommends. Music at Harvard for him thus does not stop with the HRO; it is a living, all-important concern which extends far beyond his three rehearsals per week and his teaching in Music 253, formerly taught by Walter Piston. But beyond all this, Senturia exhibits qualities of understanding and charm--additional attributes for the successful new conductor...

Author: By Claude E. Welch jr., | Title: The Music Man | 10/28/1959 | See Source »

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