Word: hro
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...HRO is like a box of choc--well, okay, maybe more like a bag of M&Ms. You never know what you're going to get with the Harvard-Radcliffe Orchestra's impressively diverse programs, just as the color of your M&Ms remain a mystery until they're in your hand, and both the concerts and the candy are of uniformly high quality. In fact, the exquisite ensemble of HRO might be preferable to the chocolate...
Last Friday's concert initially seemed just another example of HRO's excellent reputation. The performance opened with a solid rendition of Danish composer Carl Nielsen's Helios Overture, Opus 17, led by assistant conductor Daniel Altman. HRO's command of dynamics is spectacular, and the various crescendos and decrescendos were subtle and nuanced, yet vivid and exciting as the orchestra swelled and faded dramatically. The violins shimmered over the rapid-fire rataplan of the brass as the overture progressed. Dancing staccato strings quickly relinquished prominence to legato passages for a fuller ensemble, until finally the hall exploded with...
...HRO transcended ordinary expectations with its performance of Tchaikovsky's Violin Concerto, Op. 35. While the appearance of conductor James Yannatos met with the hearty approbation of the audience, the advent of the 1997-98 concerto competition winner produced a reaction more akin to an electric shock. The phenomenon calling himself Joseph Lin '00 strode onto the stage, sweet-faced and supremely self-possessed, and immediately filled Sanders with his charismatic stage presence. Yannatos exchanged a few words with him, then plunged into the beginning of the concerto. Lin remained imperturbable as he hoisted his violin onto his shoulder during...
...second listen to the first few minutes provided an opportunity to more fully absorb the complexities of Lin's remarkable performance. HRO lockstep accompaniment was seamless. The sheer physicality of the performance was mesmerizing. Stretching string players and puffing wind players provided little visual contrast to Lin as he leaned and swayed with his violin, and the stage seemed a kinesthetic blur of motion as the insistent, piercing violin relentlessly piled the tension higher. Huge silences punctuated the cadenza; Lin masterfully made the gaping gaps of sound as arresting and palpable as his pure high melodies or mellifluous low phrases...
...think most people who really, really wanted to hear the HRO concert already heard it. So I think it might be better to air the hockey game live and possibly reschedule the HRO concert," Naar said...