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...there was a music performance concentration, I probably would have concentrated in it," says Shasa R. Dobrow '97, a bassoon player in Harvard-Radcliffe Orchestra (HRO) who decided to concentrate in biological anthropology instead...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

...this [fund] doesn't cover lessons," agrees James D. Yannatos, the conductor of HRO. "The financial crunch does come in here...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

...only students eligible for independent study, however, are members of HRO, one of the four Holden choirs or students enrolled in a department course, thus excluding a good chunk of Harvard's music community...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

...think its very important for performers to realize they find in me an empathetic figure, someone who listens carefully to their concerns," Levin says. "Students who wish to talk about performance should come to talk to someone who is a performer."Photo Courtesy of Harvard-Radcliffe OrchestraHarvard-Radcliffe Orchestra (HRO) and other orchestras attempt to make up for the lack of performance classes within the Music Department...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

Some parts of the ballet are simple and lyrical, such as a pastoral-sounding flute solo; others, like the bassoon's aggressive blats, are humorous. The most characteristic and memorable passages, however, are those involving several different rhythms and themes played simultaneously in different parts of the orchestra. That HRO could remain crisp and confident in even the most jagged parts of the score is worthy of applause. Katherine Evans' trumpet solos had a gorgeous tone seldom heard from student brass players and won her a well-deserved ovation. Friday night proved once again how lucky we are to have...

Author: NO WRITER ATTRIBUTED | Title: With HRO, Bassoonery Takes Center Stage | 3/7/1996 | See Source »

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