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Word: hsiao (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Among the 80,000 ideographs in the Chinese language, none are charged with more meaning for the people of China today than Hsiao Mieh. In the abstract but exact language of ' China, Hsiao Mieh means "deprived of existence . . . done away with . . . otherwise disposed of." In the broader language of humanity, Hsiao Mieh today symbolizes the greatest planned massacre in the history of mankind...

Author: /time Magazine | Title: CHINA: High Tide of Terror | 3/5/1956 | See Source »

Next day Liu's name was brushed on the wall newspaper at the Public Security Station. Beside it was brushed the dreaded Hsiao Mieh...

Author: /time Magazine | Title: CHINA: High Tide of Terror | 3/5/1956 | See Source »

...Monstrous Pyre. Since October 1949, when the Chinese Communists officially set up the Chinese People's Republic, Hsiao Mieh, by the account of Red China's press, has been written officially against the names of millions of Chinese. Foreign specialists, carefully sifting reports from refugees and other sources, estimate that at least 20 million Chinese have been deprived of existence, done away with, or otherwise disposed of. This does not include 23 million believed to be held in forced labor camps...

Author: /time Magazine | Title: CHINA: High Tide of Terror | 3/5/1956 | See Source »

...parents or grandparents were landlords, because they were intellectuals, village elders, held religious beliefs, objected to Communism in principle, or simply would not cooperate. The Lo cadres were given target quotas for grain and confiscated land, so that even if a village had few landlords, a necessary percentage of Hsiao Mieh was written up. The announced objective was to redistribute the land among the peasants, and that was actually done. But the real purpose was to break the fabric of economic and social traditions of China's rural population...

Author: /time Magazine | Title: CHINA: High Tide of Terror | 3/5/1956 | See Source »

...Troubles in the Heavenly Kingdom, in which a talented performer named Wang Ming-chung played the part of the immortal Monkey King who defeated the gods in a rough-and-tumble battle. Finally came an acrobatic ballet and a short, exotic concert on stage, featuring such instruments as the hsiao (bamboo flute), sheng (a super mouth organ), hsiao-na (a straight wooden bugle with a copper bell) and several small drums. When it was all over and the audience was applauding thunderously, the whole troupe appeared onstage and returned the applause-an innovation of the Communists to show solidarity between...

Author: /time Magazine | Title: Music: Peking to Paris | 6/20/1955 | See Source »

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