Word: hubbuch
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Dates: during 1991-1991
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...city was seen as the mill of oppression, grinding women down into whoredom and men into anonymity. German artists like George Grosz, Karl Hubbuch and the remarkable and still underknown Hannah Hoch imagined it as a grotesque theater, full of libido and irony -- the stage of a morality play, updated to reflect the postwar sense of despair. From Grosz in Berlin to Frans Masereel in Antwerp, an enormous iconography of city life -- its edginess, speed, compression, perversion, fixation on style -- developed in the '20s. The idea that the city is constructed of signs, of media and information overload as much...
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