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Word: huck (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...AUTOBIOGRAPHY OF MARK TWAIN, edited by Charles Neider. The latest edition of Sam Clemens' massive, sprawling recollections gives a fascinating picture of the writer whom T. S. Eliot characterized thus: "The adult side of him was boyish. Only the boy in him, that was Huck Finn, was adult...

Author: /time Magazine | Title: FICTION: The YEAR'S BEST | 12/21/1959 | See Source »

...thus seems strange that Holbrook finds it necessary to summarize or abbreviate some of Twain's best tales, for example the episode of Huck Finn and the runaway slave Jim on a Mississippi raft. Some local men, searching for escaped slaves, ask Huck if his companion is "white or black." Huck invokes the old tall-tale weapon, and convinces the men that his companion is his smallpox-afflicted "pop." The tale takes on fantastic proportions, but the authorities take in every word and even give Huck two $20 gold pieces before fleeing the pestilence...

Author: By Pauline A. Rubbelke, | Title: Mark Twain Tonight | 11/14/1959 | See Source »

Holbrook adequately portrays the paradoxical and inverted morality that makes Huck conscience-striken over his assistance to a runaway; but he unfortunately omits the central yarn, which provides humor and reveals a distinctive Twain touch...

Author: By Pauline A. Rubbelke, | Title: Mark Twain Tonight | 11/14/1959 | See Source »

Having acted the angry descendant of slaves, the chained workman, the devout penitent, the impish lover, Belafonte always returns to being the small boy, performing a shuffling dance between verses, a sort of dark-skinned Huck Finn. At least once during each show he slouches comfortably about the floor directing irrelevant patter at waiters, musicians and ringside patrons ("Don't pay, comrades! Let's make a rush for the door!"). He often finishes by kidding his audience into joining him in a few choruses of Matilda: "Big Spenders be still! Now the intellectuals! EVERYBODY...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

...Writers. "They have small chins and big heads and cannot win an argument." The few writers he knew who have fought back, Hecht remembered warmly. His favorite rebel: Charles (Fearless Pagan) Lederer, who came to work looking like a "decadent Huck Finn" and was in love with "the most highly paid musical comedy star in New York [Marilyn Miller]." One day she took him to lunch, read him the riot act about rising at a respectable hour and taking daily baths. "When she got done, Charlie handed her his trousers, which he had taken off during the conversation and said...

Author: /time Magazine | Title: Show Business: How to Lose Friends | 10/27/1958 | See Source »

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