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...Mark Twain. According to a favorite Fiedler theory, the true rebel was the private Sam Clemens as opposed to the public entertainer Mark Twain. Never these twain will meet-or part. The Second Stone is a skillfully contrived dramatization of this dichotomy. Clem is the defiant Huck Finn who has "lit out for the frontier" with his big "no" to "the world of mothers." Mark is Tom Sawyer, the pseudo rebel "with a note in his pocket to Aunt Polly" saying he loves her (the U.S.) after...

Author: /time Magazine | Title: Books: Crazy Mythed-Up People | 3/8/1963 | See Source »

...love in Maycomb County-and by Maycomb County she obviously meant the South. Of what was fearful she framed an Alabama melodrama that etched its issues in black and white. Of what was lovable, on the other hand, she made a tomboy poem as full of hick fun as Huck Finn, a sensitive feminine testament to the Great American Childhood. In this film Director Robert Mulligan and Scenarist Horton Foote have translated both testament and melodrama into one of the year's most fetching and affecting pictures...

Author: /time Magazine | Title: Cinema: Boo Radley Comes Out | 2/22/1963 | See Source »

...Adams, for example, is accurate. Some aren't so hot, though. The section on Quincy House is frightening--full of talk about how "student-tutor" and "student-student relations" are on the up and up--while the description of Leverett is absurd, a wretched little parody of Huck Finn. There are far too many shots of people playing pool...

Author: By Joseph L. Featherstone, | Title: The Yearbook | 5/16/1962 | See Source »

...composition. For it was in the summer of 1876 that Mark Twain's rage against the restrictions of polite English reached its historic climax: he began work on a novel written entirely in the vernacular of an ignorant river waif. Fed up with literary lies, he wanted Huck Finn to speak not like boys in other books, but exactly the way a boy brought up in the tanyards of Hannibal, Missouri, in the 1840's would have spoken. Yet at the very heart of his determination to be true to Huck lay an awareness that censorship was inevitable. As Twain...

Author: By Kenneth S. Lynn, | Title: Not Twain's Best | 3/23/1962 | See Source »

...Like Huck, speaking the superbly authentic dialect of his age and his place, Holden is a runaway from respectability, the possessor of a fierce sense of justice, the arbiter of his own morality. If one fact more than any other links Catcher to its generation, it is that for Holden?as presumably for his creator?the ultimate condemnation is summed up in the word phony. A whole, vague system of ethics centers around that word, and Holden Caulfield is its Kant...

Author: /time Magazine | Title: Books: SONNY | 9/15/1961 | See Source »

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