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...popularity since his death, Mark Twain is now on the crest of a revival that is spreading fast through show business and publishing. M-G-M is about to release a wide-screen version of Huckleberry Finn (with Eddie Hodges as Huck and Pugilist Archie Moore as Jim). Before season's end a total of four major TV shows will have documented or dramatized various parts of the writer's life. From Cambridge, Mass, to Berkeley, Calif., presses have been rolling out books on Twain. Actor Hal Holbrook has already given more than 1,200 performances...

Author: /time Magazine | Title: Show Business: Sam's Comeback | 5/2/1960 | See Source »

...AUTOBIOGRAPHY OF MARK TWAIN, edited by Charles Neider. The latest edition of Sam Clemens' massive, sprawling recollections gives a fascinating picture of the writer whom T. S. Eliot characterized thus: "The adult side of him was boyish. Only the boy in him, that was Huck Finn, was adult...

Author: /time Magazine | Title: FICTION: The YEAR'S BEST | 12/21/1959 | See Source »

...thus seems strange that Holbrook finds it necessary to summarize or abbreviate some of Twain's best tales, for example the episode of Huck Finn and the runaway slave Jim on a Mississippi raft. Some local men, searching for escaped slaves, ask Huck if his companion is "white or black." Huck invokes the old tall-tale weapon, and convinces the men that his companion is his smallpox-afflicted "pop." The tale takes on fantastic proportions, but the authorities take in every word and even give Huck two $20 gold pieces before fleeing the pestilence...

Author: By Pauline A. Rubbelke, | Title: Mark Twain Tonight | 11/14/1959 | See Source »

Holbrook adequately portrays the paradoxical and inverted morality that makes Huck conscience-striken over his assistance to a runaway; but he unfortunately omits the central yarn, which provides humor and reveals a distinctive Twain touch...

Author: By Pauline A. Rubbelke, | Title: Mark Twain Tonight | 11/14/1959 | See Source »

Having acted the angry descendant of slaves, the chained workman, the devout penitent, the impish lover, Belafonte always returns to being the small boy, performing a shuffling dance between verses, a sort of dark-skinned Huck Finn. At least once during each show he slouches comfortably about the floor directing irrelevant patter at waiters, musicians and ringside patrons ("Don't pay, comrades! Let's make a rush for the door!"). He often finishes by kidding his audience into joining him in a few choruses of Matilda: "Big Spenders be still! Now the intellectuals! EVERYBODY...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

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