Word: hud
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Dates: during 1960-1969
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Hombre. Paul Newman has recently displayed a penchant for movies beginning with H-The Hustler, Hud, Harper. In Hombre, the H is silent and so, almost, is the star. With a voice that only on occasion rises to a monotone, he grunts his unrelenting hatred of the world. Caucasian by birth but raised by Indians-possibly the cigar-store kind, judging by the immobility of his features -he has suffered at the hands of both. One white man who has certainly made him suffer is Martin Ritt, the film's director...
...CAME IN FROM THE COLD. A grainy, gritty double exposure of the spy racket on both sides of the Berlin Wall. Richard Burton is brilliant as a Western burned-out case; Oskar Werner is his pre-eminent prey from the East. Martin Ritt (Hud) is responsible for the superb direction...
...that raw, rich Big Sleep milieu; and this Warner Brothers revival of a grand old tradition gets him there in style. Based on Ross Macdonald's The Moving Target, and accelerated at a slick '60s pace by Director Jack Smight, Harper gives Newman his feistiest role since Hud...
...CAME IN FROM THE COLD. A grainy, gritty double exposure of the spy racket on both sides of the Berlin Wall. Richard Burton is brilliant as a Western burned-out case; Oskar Werner is his preeminent prey from the East. Martin Ritt (Hud) is responsible for the near-perfect direction...
...HUD may be able to breathe some new life into the cities [March 4], especially in business and commercial sectors, but Robert Weaver and his successors will eventually have to face the fact that the city as a residential area is dead...