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...this be so? Are you telling us that Newman, old Cool Hand Luke, old Hud, old Butch Cassidy, old smoothie Henry Gondoroff from The Sting, is really a salad-dressing manufacturer? Yes, but we'll get back to that. The title and credits are ready to roll, and our soggy opening scene is still unresolved. What's going on? The facelike apparition turns out to be a face indeed, that of Newman himself. He has just finished plunging his muzzle into ice water, a ritual of his that, it is said, accounts for much of his eerie youthfulness...

Author: /time Magazine | Title: Paul Newman: Verdict on a Superstar | 12/6/1982 | See Source »

...race day, he is resting in the team motor home, driving shoes off, blue driving suit unzipped, the neck of his white Nomex long Johns showing. He is thin through the hips, and thinner through the shoulders than when he played the arrogant cowboy stud Hud in an undershirt. He has no belly, although he drinks several cans of Budweiser a day (he has not drunk hard liquor since a boozy period at the beginning of the '70s when he was shooting Sometimes a Great Notion). A daily sauna and a three-mile run seem to take care...

Author: /time Magazine | Title: Paul Newman: Verdict on a Superstar | 12/6/1982 | See Source »

Fast Eddie, the pool shooter who told Jackie Gleason's Minnesota Fats, "I'm the best you've ever seen, Fats, I'm the best there is," is all speed and charm and thin-ice cockiness. Hud Bannon, the surly cowboy womanizer who is the turbulence at the center of Martin Ritt's 1963 film Hud, seems twice the size of Fast Eddie. He is a brawler with the looks of a fallen angel, and he sneers at emotion: "My mother loved me but she died." Hud is rotten. He is trying to have...

Author: /time Magazine | Title: Paul Newman: Verdict on a Superstar | 12/6/1982 | See Source »

Gaetano Altobelli (Philip Bosco) is an Italian-American ex-Mafioso "collector." Through assiduous upward social mobility, he has risen from his birthplace on Mulberry Street in Manhattan's Little Italy to become Hud's unwelcome neighbor. Gaetano's goodly impulse is to detox Hud: "You don't have to die." But Hud sees it as an intrusion of Wop on Wasp. He hurls endless ethnic slurs at Gaetano. To salvage Hud, Gaetano takes these insults with infinite good grace and gets enough snappers back to make the evening something of a celebrity roast. In the slugfest...

Author: /time Magazine | Title: Theater: Bottle Baby | 11/8/1982 | See Source »

...Hud returns to a climate of "purposeful change," but it is not that easy to wean a bottle baby, and the moving scenes that follow vividly illustrate W.H. Auden's line, "We must love one another or die." Treat Williams, best known for his work in the film Prince of the City, makes a princely return to the stage. As for Philip Bosco, he is an actor's actor who, in his range, finesse, intelligence and discipline, ennobles his craft...

Author: /time Magazine | Title: Theater: Bottle Baby | 11/8/1982 | See Source »

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