Word: hue
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Dates: during 1980-1989
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Since 1982 the Administration has negotiated no fewer than 18 agreements with steel-producing countries that limit exports to the U.S. market. Last year, as the trade hue and cry rose once again on Capitol Hill, the Administration pressured Japan and Taiwan into limiting their exports of machine tools to the U.S. for five years. When West Germany and Switzerland refused to go along with such "voluntary" restraints, Washington set quotas that rolled back their exports to levels set in 1981 and 1985. Also in 1986, the Administration negotiated separate agreements with Taiwan, Hong Kong, Japan and South Korea that...
Like Oliver Stone, Dye is a decorated Viet Nam veteran. His was among the first units to splash ashore there in 1965. Over the next decade, he saw buddies die at such hot spots as Hue and Foxtrot Ridge, and he was wounded three times by rockets and mortar fire. "We fought a hell of a war," he declares, "and until now, Hollywood didn't give a damn about getting it right...
...indescribably simple and touching . . . he is a great magician." Andersen's grandest illusion takes place in The Ugly Duckling (Knopf; $10.95). Illustrator Robert Van Nutt begins by using a primary-school palette. But as the duckling sheds its down and acquires an elegant neck, the dominant hue changes to a formal white, reflecting Andersen's change of mood. The story is sometimes read as a revenge play, but Van Nutt makes it clear that he regards the duckling's progress as a happy tale of growing up, giving the protagonist (and the young reader) the enviable role of Everyduck...
...screens and point forward to the whiplash rhythms of art nouveau. But this handwriting was not mechanically stamped on the landscape, as the style marks of mere obsessives tend to be. On the contrary, it was infinitely responsive to the nuances of fact. Dealing with the "difficult bottle-green hue" of his famous motif, the cypress (of which the real landscape around Saint-Remy is now disappointingly short), he went to great trouble to set forth the realities inside its hairy, obelisk-like silhouette: the mauve cast of shadow on the trunk and branches, the sparks of almost pure chrome...
...silvery grays (jug of water, belly of sole) with a few touches of red within the ambient - darkness of Still Life, Fish and Lemons, 1921, accentuates a lesson Matisse had learned from Manet: that black, far from signifying the absence of color, can read as a suave and powerful hue. Matisse's work, seen in this concentration, proves once more that in painting, innovation means nothing without a vital sense of the past. "I have simply wished to assert," he used to tell his students, echoing Courbet, "the reasoned and independent feeling of my own individuality within a total knowledge...