Word: hues
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Dates: during 1970-1979
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...Primrose Hue. Traditionalists, however, could take heart from the fact that Phillips is an uncommon commoner. His family is what the British refer to as "county"-people of comfortable means who have homes and stables in the counties and hold high business or professional positions, if they work at all. The Phillipses have a handsome 16th century house of Cotswold stone and primrose hue in Great Somerford, Wiltshire, about 80 miles west of London. Mark's grandfather was an equerry to King George VI. His father, Peter Phillips, is a director of T. Wall & Sons, a large produce firm...
...your government; the Communists get the 'friendship' of those of you who don't like what your government does. Where do the Vietnamese people come in? Who is our friend? Yours sincerely, Nguyen Ngoc Bich, Law '73 Hoang T. Ly, Harvard '76 Nguyen Thi Suong Hong, Harvard '75 Ho Hue Tam, GSAS 3 Pham Thi Hoa, East Asian Research Center
...From the National Press Photographers Association, first prize in news-documentary magazine photography to Dirck Halstead for his picture Victims, taken in a hospital in Hue, South Viet Nam, while on assignment for TIME...
...artists applied himself to the issue of large-scale, "decorative" figure compositions. Matisse's fauve years, with their hot drumfire of broken, dissonant color, were behind him. Now he was engaged in calming his art, endowing it with a magisterial breadth of form and outline, a simplicity of hue and an archaic, pre-classical subject matter. His Nymph and Satyr, 1909, belongs much more to the world of Hesiod than to the Renaissance vision of antiquity. Three colors: pink for the skin, blue for the strip of lake and green for the fields and hills. Two figures: the nymph...
...difference between Matisse's contemplation of his own works and the arid feedback one gets in so much art today is enormous. It is a matter of sensual wholeness. The blue of the Dance invades the painted room, drenching its space in an oceanic full ness of hue. In it, the hot pink of the chair back and table legs and vase glows with preternatural intensity. Color for Matisse was not a property of objects. It was the stuff of which they were made. And space itself was less a describable structure-which it was for Picasso or Braque...