Word: hues
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Dates: during 1970-1979
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Tanks. Hanoi's complaints had some validity. Crowds of up to 4,000 South Vietnamese have assailed the Hanoi delegates at both Hue and Danang, throwing rocks and injuring six delegates. "If Saigon wants to stop these things, it can stop them," declared one high U.S. official. The Communist military representatives are mainly confined behind barbed wire and high fences in primitive compounds...
...Saigon's division-sized assaults on PRG positions. With 200,000 people made refugees since the ceasefire, we would be hard-pressed to call this peace. The very temporary North Vietnamese threat to delay the second prisoner exchange now completed and the attacks on North Vietnamese truce delegations in Hue and Saigon, parallel the daily truce violations by combat units. These violations of the specifics of the January 27 ceasefire agreement are perhaps no more serious than the thousands of skirmishes and battles that daily make a mockery of the peace, but they are more public symbols of the fragility...
...Vietnamese women have always done what in America is thought of as man's work," Hue Tam Ho Tai, a third year Harvard doctoral student in History and Far Eastern Languages, told a gathering at the Cambridge YWCA yesterday...
...Canadians in the dark green short pants of a kind that had not been seen in Saigon since French colonial days-seemed to be all over the capital. By week's end they, too, were sending out preliminary teams to inspect regional headquarter sites at Pleiku, Danang and Hue...
...film, set unspecifically near the turn of the century, recalls Bergman's National Theatre staging of Hedda Gabler. Here, as in that production, the dominant color motif is red of a dark, smothering, somehow vaguely menacing hue. "Don't ask me why it must be so because I don't know," Bergman writes in the Cries and Whispers screenplay. Perhaps it is because "ever since my childhood I have pictured the inside of the soul as a moist membrane in shades of red." Both Hedda Gabler and this film share, too, a careful choreography of movement, with...