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...Schwitters, representing the Dada school, created in contemptuous revolt against established canons of aesthetics, should appear at Busch-Reisinger this month as a champion of those very values. Gathering bits and scraps of color and print in the form of collages, Schwitters manipulates a poetic play of shape and hue, charming, intimate, yet positive and aesthetically unequivocal. Paul Klee's lithograph, "Destruction and Hope," not his best in that form, sings out with more hope than destruction because it contains more poetry than pathos...

Author: By Lorenz Poppagianeris, | Title: War and the Arts | 3/9/1957 | See Source »

...Writer Frank D. Gilroy had the sense to stick close to Marquand's story, and the talent to weave many of the bland Marquand nuances of class and manner into a go-minute teleplay that had consistency, pace and believability. Good direction (by Vincent Done-hue) carried the story past Gilroy's occasional rough spots and got good performances out of a good cast. Sarah Churchill was a handsome, if not sufficiently Scott Fitzgeraldean, Bess Harcourt of the mill-owning Harcourts. Particularly when it came time to let the hypocrisy in his soul take over from the loyalty...

Author: /time Magazine | Title: Television: Kudos & Cholers | 12/24/1956 | See Source »

...Hue Is Blue. The trouble goes deeper than the quality of color. The black-and-white programs that make up the vast bulk of TV fare (80% on color-conscious NBC) often seem wan and whiskery on color sets. Color reception takes such keen tuning that many a would-be customer loses heart while the salesman fumbles. Moreover, color reception must be live to be good. In the West, where night network shows are often Kinescoped to meet the time differential, viewers complain that all the hues come out blue...

Author: /time Magazine | Title: INDUSTRY: Faded Rainbow | 10/22/1956 | See Source »

...appalled by the action of Sergeant Matthew McKeon, but I felt the Corps would certainly give him his just punishment. The Corps still had a chance to prove itself. Then came the disgraceful verdict. Such a hue and cry about the poor Sergeant! Isn't the drunken, sadistic murder of six supposedly superior youngsters-isn't that bad conduct...

Author: /time Magazine | Title: Letters, Sep. 3, 1956 | 9/3/1956 | See Source »

Clare Luce was quick to see that she had a dilemma to face. If the news became public, there would be an inevitable headline hue. In this ticklish situation the secret was born. CIA and embassy officials quietly went to work. U.S. and Italian employees at the villa and the embassy were quickly investigated. No individual who had any close contact with the ambassador seemed even remotely a suspect...

Author: /time Magazine | Title: FOREIGN RELATIONS: Arsenic for the Ambassador | 7/23/1956 | See Source »

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