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...hue & cry over Owen Lattimore, the professor and publicist who played an influential role* in the shaping of U.S. Far Eastern policy, is part of a greater clamor of alarm: What U.S. mistakes led to the Communist conquest of China and the assault in Korea? Who is responsible for the mistakes...

Author: /time Magazine | Title: INVESTIGATIONS: Absent-Minded Professor? | 3/10/1952 | See Source »

Bacon, captain of the squash team, earned the right to meet Harold Kaese in today's matches by rallying to edge Good-hue Livingston, 15-6, 8-15, 10-15, 15-10, 15-6. Kaese defeated David Mittell...

Author: NO WRITER ATTRIBUTED | Title: Quarters Berths Gained by Bacon, Ufford Saturday | 1/22/1952 | See Source »

...hue & cry, the clearest warning came from Indiana's Coach Clyde Smith, quitting under alumni pressure after a disappointing season (two wins, seven losses). Said he: "We, as coaches, and the universities, as educational institutions, have sold our athletic heritage for a mess of pottage . . . We must be willing to accept in part the blame for the inroads made by protected gambling into the field of university athletics .. . You can't buy a boy's body and expect him to play with his heart and soul...

Author: /time Magazine | Title: Sport: Boos & Catcalls | 12/10/1951 | See Source »

...energetic 60, was having his first Paris show in 15 years. To replace Kiki and his other Montparnasse models, he had called in the peasant girls from around his present-day home in Southern France. Their curves had the same healthy abundance, their flesh the same pearly hue. Interspersed among the show's buxom nudes were blossom-filled landscapes, luminous still lifes. These are strictly change of pace. "When I paint a nude," says Kisling, "I hunger to paint a landscape; when I paint a landscape, I hunger to paint a bunch of flowers." But he admits that...

Author: /time Magazine | Title: Art: Passionate Frenchman | 11/26/1951 | See Source »

Officials of the show &and some of the contributing artists &-in sharp rebuttal. The hammer & sickle on the sails, it turned out, was really just a large C (for clipper) with an I (for island) drawn through i &the symbol for the Island Clipper class. The red hue was not a forest fire, said Artist Gerald Campbell, but a symbol of birth. When Critic Harby muttered something under his breath at that, Artist Campbell rapped back: "I won't stand for this ... I spent two years in the Army fighting for freedom of expression...

Author: /time Magazine | Title: Art: Tumult in Los Angeles | 11/5/1951 | See Source »

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