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...pushes Michael Moore away, the more tenacious he gets. He has been banished all the way to Bravo, and though his new show is not as slick as his last (TV Nation), it's even more hard-hitting. Moore bothers Big Business again, as he does when he invites Humana execs to the mock funeral of a man whose pancreas transplant has been denied by the insurers. It's unusual to find an angry liberal in this economy, but Moore makes a better case for the working guy than any politician out there...

Author: /time Magazine | Title: The Awful Truth | 5/3/1999 | See Source »

...their sweethearts. It was from their HMOs. Thanks to increasing medical costs and decreasing federal reimbursements, taking care of patients over 65 is not so profitable a business as it was in the early 1990s. So as of Dec. 31, more than 90 HMOs across the U.S.--including Aetna, Humana and Oxford--will stop serving Medicare customers in certain regions around the country...

Author: /time Magazine | Title: Medicare Woes | 12/7/1998 | See Source »

Insurers generally claim that medical-loss ratios have little meaning in themselves because of different accounting systems and are not an accurate guide to profits, which have actually been driven down lately by ruthless competition. Humana, one of the biggest for-profit HMOs, reported a drop in net income of nearly 94% for 1996 after some special charges...

Author: /time Magazine | Title: BACKLASH AGAINST HMOS | 4/14/1997 | See Source »

...festival (half of whose million-dollar annual budget is underwritten by the Humana Foundation, the philanthropic arm of Humana Inc., the Louisville-based health-care company) is not exactly a secret. "What we've tried to be," says Jon Jory, the ATL's guiding light for 27 years, "is a freshet for the American repertoire." Among the 224 new plays in the fest's 20 years are two Pulitzer Prize winners, The Gin Game and Crimes of the Heart, as well as Agnes of God, Extremities and off-Broadway's current Below the Belt. And however perilous the playwright...

Author: /time Magazine | Title: THEATER: A SUNDANCE FOR THE STAGE | 4/15/1996 | See Source »

Camaraderie is swell, but the play's the thing, and this year Humana had the goods. The big find was Naomi Wallace, a Kentucky native whose work has been produced by Britain's Royal Shakespeare Company but virtually not at all in the U.S. Her luxuriously poetic One Flea Spare is set during the London plague of 1665, when "at night the rats came out in twos and threes to drink the sweat from our faces." The stage is a canvas of convulsive emotions and pristine images of four tortured refugees from the pestilence. Only a 12-year-old girl...

Author: /time Magazine | Title: THEATER: A SUNDANCE FOR THE STAGE | 4/15/1996 | See Source »

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