Word: humanation
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Dates: during 1950-1959
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...aorta looked almost human. But Pathologist Holman knew that Pathologist Dunlap had been getting specimens from New Orleans' Audubon Park Zoo. Was it possible that here at last was an animal that developed atherosclerosis of the human type? The answer was yes. The aorta had come from a 16-year-old female baboon...
...discovery, made in April of 1956, set Holman and his visitor, Dr. Nicholas T. Werthessen, jumping like baboons with excitement. Its importance lay in the fact that previously (except for rare cases in monkeys and expensive great apes) no animal had been known to develop arterial disease like a human being's, despite ingenious laboratory tricks. Researchers have learned much from rabbits, rats and chickens, but findings from these lower forms of life cannot be applied simply and directly to human diseases. The baboon, despite its lousy pelt, its foul temper and its embarrassingly lurid hind quarters (brilliant scarlet...
...with a heart-lung machine and used radioactive sodium acetate to find out how much fat is manufactured in the walls of the aorta itself. With a small branch baboonery at L.S.U., Dr. Holman was tackling related problems. Both hoped to get vital information with a direct bearing on human heart-and-artery disease. The unfriendly dog-faced baboon thus becomes elevated to the ranks of man's best friends...
Kinko Riding a Carp is a reversal of that gesture-not reality drowned but imagination borne upon the stream. The energy of Korin's brush reflects the lightning lift and speed of human imagination, which is capable of almost anything, even of riding on the back of a fish. His art also mirrors Taoist thought, which regards "everything as destroyed and everything as in completion . . . reaching security through chaos.'' Asked where he had got this idea, the sage Nu Yu replied: "I learned it from the Son of Ink. The Son of Ink learned it from...
Houseboat (Paramount), according to the advancemen, is "a story of Togetherness," a warm, human comedy of American family life, written with "true realism." Father (Gary Grant) is "charming and debonair"-but unfortunately he has been away from home for several years. Mother is rich and beautiful-but unhappily she is a bad driver and gets killed in a car crash. The children (Charles Herbert, Mimi Gibson, Paul Petersen), as the scriptwriters seem to think, are all that any American parent could hope to have-"carefree, gay, and at times in need of psychiatric care...