Word: humaner
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However, Goodman’s sources betray the murkier moral landscape of the era of high imperialism—the book’s subtitle, “One Man’s Battle for Human Rights in South America’s Heart of Darkness,” makes explicit allusion to Joseph Conrad’s famous novella, especially apt given the fact that Conrad and Casement met in 1889 in the Congo Free State. Casement’s own description of Arana recalls “the unseen presence of victorious corruption” that Marlow senses...
...illuminate the complexity of his predicament and character. Instead, Goodman misses the opportunity to present Casement’s story as emblematic of the conflicted, traumatized, and transitional consciousness of colonial operators in the early twentieth century. Furthermore, in attributing to Casement an unalloyed concern for “human rights,” Goodman simplifies where he should have complicated: while the Putumayo revelations contributed much to the burgeoning discourse of human rights, the movement would not gain momentum until the Interwar years and beyond, as a product of the agonized transitions to independence made by many former colonies...
...words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time, her raw, grainy sound evoked the subtle sadness and melodic cry of the human voice, which provided a nice counterpoint to Elling’s precise pitch placement...
Many of Franks’ arguments against pornography invoked broader ideas of equality, human freedom, and human dignity. Specifically, Franks argued that the making and watching of pornography objectifies women, that pornography may be responsible for sex crimes, and that masturbating to porn increases the risk of becoming a sex addict...
...then resumes in another key. The rhythm section, the core of any decent R&B group, sounds too often like the drum and bass GarageBand loops characterized by seamless, emotionally-bereft rhythmic accuracy and a robotic inability to feel—it’s hard to imagine human beings creating this record. This is particularly problematic seeing as “Soldier of Love” eschews pure electronica and trip-hop for more traditional instrumentation—guitar, piano, drums and bass are at the heart of the record—which would intuitively present a more natural...