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...death rather than betray his conscience by blessing the king's divorce and his break with the Church of Rome. Langella's interpretation has drawn some criticism, suprisingly, for being too saintly and hammy - surprising because what stood out for me in Langella's performance was how bracingly human it is. As the rebellious counselor, Langella is a man of stoic determination, but not without moments of fear, doubt, temper and smugness; his moral courage seems cobbled out of human reason and resolve rather than handed down from God. And if Robert Bolt's 1960 play looks a bit square...

Author: /time Magazine | Title: Katie Holmes on Broadway | 10/31/2008 | See Source »

...abstract paintings of colorful dots and shapes made him, without doubt, one of the most important artists of the 20th century. Underneath the vibrant, tongue-in-cheek surfaces of his work, Klee created a parallel universe, one in which he tried to capture and interpret almost every aspect of human existence, including its dark side. He once famously claimed: "I cannot be grasped in the here and now. For I reside just as much with the dead as with the unborn." While the quote might suggest he preferred to dwell in - and paint from - higher spheres, an ambitious new exhibition...

Author: /time Magazine | Title: Paul Klee's Universe Comes to Berlin | 10/31/2008 | See Source »

...attempt to present Klee's work in all its variety, with its dazzling array of themes and styles, rather than, like many previous exhibitions, focusing on specific facets of his oeuvre. The show organizes the approximately 250 works on display into groups, each corresponding to an aspect of the human life cycle, from birth to death, religion to travel. By highlighting various elements of Klee's diverse body of work - such as his preoccupation with music or animals - the show also stresses its universality, something that is also visible in the dualistic nature of his art. On the one hand...

Author: /time Magazine | Title: Paul Klee's Universe Comes to Berlin | 10/31/2008 | See Source »

...Jewish. Klee's visualization of the inhumanity of Nazi rule shows that, in contrast to common misconceptions, not everything he created carried the illusion of cheerfulness. In Marked Man, lines in the shape of a swastika stretch like scars across what resembles a child's rendering of a human face. "The more horrifying this world becomes (as it is these days) the more art becomes abstract," Klee wrote in 1914. But while he thought it necessary for an artist to distance himself from "a shattered world," he never completely withdrew into abstraction. Behind the childlike drawings, dots and shapes...

Author: /time Magazine | Title: Paul Klee's Universe Comes to Berlin | 10/31/2008 | See Source »

...worried at all. China could have a recession, it's not going to be the end of the story. In the 19th century, America had 15 depressions with a "d," a horrible civil war, we had very few human rights, we had no rule of law, we had regular massacres in the street. China will certainly have setbacks along the way. A lot of people think China can't have a recession. That's balderdash. China can have a recession like everybody else. Is it the end of the story? No. If it happens, you buy yourself some more China...

Author: /time Magazine | Title: Q&A with Investing Legend Jim Rogers | 10/31/2008 | See Source »

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