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More than one critic has argued that Francisco José de Goya y Lucientes is the father of modern art - a pioneer in his searing portrayal of the dark side of human nature, and in his uncanny ability not only to capture the horrors of his own age but to foreshadow the atrocities to come. If earlier generations have found in the Spanish painter's work clues to their own iconography of despair (The Third of May as a precursor of Picasso's Guernica, the Black Paintings as preparation for images of Auschwitz), the Prado's "Goya in Times...

Author: /time Magazine | Title: Goya: Terrible Beauty | 4/16/2008 | See Source »

...that the exhibit is unrelentingly grim. The early years of the 19th century were a time of tremendous creativity for Goya, and the full range of his talent is on display in this show. His modernity is evident not only in his dark depictions of human irrationality, but in his psychologically acute portraits. From his warm, intimate portrayal of Spanish King Charles IV and his family, to the petulant knowingness of the young Marchioness de Montehermoso, to the vague disappointment of the slightly mustachioed Doña Juana Galarza, who clutches a crumpled fan in her sausage-like fingers, Goya...

Author: /time Magazine | Title: Goya: Terrible Beauty | 4/16/2008 | See Source »

...largest documentary festivals in Europe, the International Leipzig Festival for Documentary and Animated Film - or DOK Leipzig - began as the first independent film festival of the German Democratic Republic. This year, in line with its aim to host works "advocating peace and human dignity," the program includes a retrospective of German films about exile, asylum, migration and integration. There are also documentaries from and about Africa and new nonfiction films from Afghanistan. If cinema can change the world, this is where it starts...

Author: /time Magazine | Title: Take Me to the Movies | 4/16/2008 | See Source »

...much food for the next week when they’re hungry and too little food when they’re full? Why do people keep playing the lottery if most winners are just as happy as those who didn’t win? And why are human beings so bad at predicting what will make them happy...

Author: By Logan R. Ury, CRIMSON STAFF WRITER | Title: One Happy Man | 4/16/2008 | See Source »

Gilbert presents three main explanations for errors in affective forecasting. First, the human imagination works too well, prompting people to adjust their images of the future, fabricating some details while removing others. This results in overly optimistic predictions: our birthdays, for example, are never as fun as our imagination predicts or our memory recalls...

Author: By Logan R. Ury, CRIMSON STAFF WRITER | Title: One Happy Man | 4/16/2008 | See Source »

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