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...obvious contrast to Chase's film is Marcel Ophuls' documentary on the Irish Struggle, A Sense of Loss. More can be drawn from this comparison than Ophuls' obvious technical superiority, for Chase has not felt compelled to imitate the centralist humanist politics of his precursor. Using the same subject matter and the same documentary form as A Sense of Loss, No-Go is a dare, defying the definitions of documentary film-making. No-Go makes a bid for personal politics in documentation. This is a bid with some history, including the first Russian recipes for dogmatic cinema and the propaganda...

Author: By Alice VAN Buren no-go, | Title: ...And Nothing But The Truth | 7/31/1973 | See Source »

...brittle, upper-middle-class-oriented British film tradition and make gritty, naturalistic movies about the life of the English majority-the working class. Anderson succeeded superbly with his 1963 adaptation of David Storey's novel about semipro rugby players, This Sporting Life. He then turned to "strong humanist statements," notably If . . . Set in Anderson's old school, Cheltenham College, If . . . ends with the students revolting against the stifling hypocrisies of the institution by mowing down faculty and trustees with machine guns and grenades...

Author: /time Magazine | Title: Show Business: The Artist as Monster | 7/23/1973 | See Source »

...Populist Manifestos, Schwartz presents a picture of the American as democratic agrarian. The key to revolution is an appeal to basic American morality. We must now overthrow big capitalism, regaining our spirit of liberty. "The American version of the concept of revolutionary nationalism would be anti-imperialist, humanist, and libertarian in content, and national in form and rhetoric...

Author: By Lewis Clayton, | Title: Counterrevolution American Style | 7/13/1973 | See Source »

...still listed on the guild rolls as a "stonecutter." But by then the decisive moment in his career had come; in the late 1530s, while he was working on the construction of Villa Cricoli near Vicenza, its owner took him under his wing. Giangiorgio Trissino, a wealthy humanist with a special interest in architecture, renamed his protégé Palladio, after an Angel of Architecture who appeared in one of Trissino's own cumbrous poems. He took the young man on several journeys to Rome. There, awed by the half-buried ruins, Palladio began the long work...

Author: /time Magazine | Title: Art: The Architect of Reason | 7/2/1973 | See Source »

...Catholic humanist, writing from the stable center of literary modernism, he is concerned with the less obvious spiritual casualties of war-people whose sins and virtues are accumulations of undramatic acts and seemingly inconsequential decisions...

Author: /time Magazine | Title: Books: Still Life | 5/28/1973 | See Source »

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