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...same time. His Dulle Griet is nightmare, which presides, now and forever, in cellars of human sleep. He painted The Tower of Babel as an allegory of old Antwerp, but young Manhattan's towers might as well have been meant. Two Monkeys may be seen as just a humanist's sympathy for the misery of chained animals -or as a symbolist's protest against the plight of the Flemish provinces under the rule of Spain...

Author: /time Magazine | Title: Art: Man for All Seasons: A Bruegel Calendar | 1/12/1970 | See Source »

...UNEXPECTED UNIVERSE, by Loren Eiseley. A paean to the possibilities of man in an age of the machine by the an-thropolater, humanist and author of The Immense Journey and The Mind as Nature...

Author: /time Magazine | Title: Television: Nov. 21, 1969 | 11/21/1969 | See Source »

...very seldom that the same man knows much of science, and about the things that were known before ever science came," Lord Dunsany once remarked, with both British and scientific understatement. Loren Eiseley is one such humanist-scientist-Dunsany's man for all cultures. A writer of literary distinction (The Immense Journey, The Mind as Nature) as well as a front-rank anthropologist, he is one of the few living scientists who can contemplate evolution and think of the Odyssey as the immediately appropriate metaphor. Somehow Eiseley has absorbed all the New Information while retaining a pre-scientific sense...

Author: /time Magazine | Title: Books: The Wild Reality | 11/14/1969 | See Source »

Rather than making such quick classifications of "good" and "bad" activities, one may envisage a court of continuum, with fine gradations from activities largely incompatible with a university's humanist nature to activities compatible with that nature though disagreeable to some individuals. Even the Seven Demands of the NAC, for example. though advanced as a minimum program, cover a wide range of this continuum...

Author: NO WRITER ATTRIBUTED | Title: On the Other Hand At What Cost | 11/5/1969 | See Source »

...music is both functional and original. Olmi's artistry is obtrusive, but always at the service of his material. On the basis of One Fine Day and two earlier films, The Fiances and The Sound of Trumpets, Olmi must be considered a new and worthy master of the humanist cinema...

Author: /time Magazine | Title: Festivals: Modest Fame | 10/10/1969 | See Source »

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