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Word: humanity (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...social control. It was imperative to transcend the seductions and qualities of materiel and its concomitant ethic. As for myself, I considered it necessary to evolve an instrument to aid in cutting through all such opiates, past and present, so that a direct, immediate, and truly free and human commitment could be achieved, and a responsible statement be made visible...

Author: /time Magazine | Title: Letters, Apr. 6, 1959 | 4/6/1959 | See Source »

This impressive public acceptance comes as no surprise to Mortimer Adler (TIME cover, March 17, 1952), who has never downgraded the human brain, including his own. The column was, in fact, his own idea, proposed last year to Marshall Field Jr., Sun-Times publisher and onetime Adler disciple (in what Adler calls "the Fat Man's class,'' the Great Books course he gives to business executives). Adler's argument was that newspaper readers think: "The American public can understand more than we credit it with...

Author: /time Magazine | Title: The Press: Thought, Syndicated | 4/6/1959 | See Source »

...Dramatization of William Saroyan's funny, sentimental sheaf of stories, The Human Comedy...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Mar. 30, 1959 | 3/30/1959 | See Source »

Vision of Carnage. Hodgson's latest poetry is filled with an old theme: fury at human cruelty to nature, to animals, to the imagination. In most of his uncompleted The Muse and the Mastiff, this theme is put in the mouth of an ancient wild bear, who seldom has a kind word for any other animal. To Hodgson, cruelty seems to be getting worse and worse in the hands of men ("I see such carnage in the future"). As for what may come to the world that he has broodingly watched from his lonely farmhouse for so many years...

Author: /time Magazine | Title: Books: Meet Mr. Hodgson | 3/30/1959 | See Source »

This novel has most of the elements of a fine murder mystery, but is written far better than most and leaves the reader with a wry, ironic aftertaste. Swiss Author Duerrenmatt showed Broadway, in The Visit, how an existentialist allegory of human greed and corruption can be made into exciting theater, especially if Alfred Lunt and Lynn Fontanne are on hand (TIME, May 19). The Pledge uses a grisly crime to show how a man's stubborn faith can be defeated by a combination of senseless accident and faithlessness on the part of his fellows...

Author: /time Magazine | Title: Books: Mystery-Plus | 3/30/1959 | See Source »

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