Word: humanity
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Dates: during 1950-1959
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...said Dr. May, has fallen particular prey to "Western man's preoccupation with mechanistic methods, his apotheosis of technique." For technique, worshiped as a way of controlling nature, has led to "the corollary need to see human personality as an object of control like the rest of nature." And the availability of techniques for an infinite variety of purposes has resulted in neurotic activity, "keeping busy" for its own sake, because "to do is often easier, and may allay anxiety more quickly, than...
Actually, the show's special appeal is neither sex nor standard whodunit suspense. The audience is rarely kept guessing about who scragged the rich widow or shot the human fly. All Peter Gunn's have to do is wince while their man absorbs his beatings. Usually they know did what to whom, and they can be that Pete will survive with his features unscrambled. While the mayhem builds up though, the show offers a fine sound track. Jazzman Henry Mancini, who boasts some 50 movie credits, composes scores for each show, leads leman band through a whining, insinuating...
...knows that there is no such Creator." But "Einstein has told us that he had sometimes the sense that he was following, in his plumbings and probings of the universe, the track of an Intelligence far beyond the reaches of his own." Furthermore, "there has been nothing in human history that has brought mankind closer to the immanence of an infinite creativity than the revelation that the minutest particles of inert matter contain an almost immeasurable power...
...Which means, to me at least, that man can live his truth, his deepest truth, but cannot speak it. It is for this reason that love becomes the ultimate human answer to the ultimate human question. Love, in reason's terms, answers nothing. We say that Amor vincit omnia but in truth love conquers nothing-certainly not death-certainly not chance...
...pity is that in itself the story is strongly moving. The sacrifice of self for the sake of others is surely one of the profoundest experiences that human beings have attained, and it is not often that this experience has been so sharply dramatized as it is in the life of Gladys Aylward. Something of the woman's flame-simple, stone-actual spirit is unquestionably preserved in the film, but all too often the religious force of her example is prettily dissipated in the delusive grandeurs of the wide screen, and safely explained away in entertainingly heroic tropes...