Word: humanity
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Dates: during 1970-1979
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TENNESSEE WILLIAMS did not call his memory play The Glass Zoo for good reason. "Menagerie" hints at the intimacy of three creatures with a fragility and warmth that is distinctly not zoo-like. All too human, The Glass Menagerie remembers the post-adolescent longing for freedom and adventure of a young poet caged in a fading, depressionistic tenement, but more, it characterizes the last generation that could daydream innocently. That era's dream machines were the phonograph and the movie projector, but they worked songs and pictures that opened romantic vistas so different from today's defined and redefined motion...
...would hardly call her a docile person," a former Cabot Hall resident said. Another friend commented, "She's sensitive person, a somewhat frequent observer of human nature," adding, "she may need that...
...hack at the heartstrings; the very first shot of the film identifies Rose, i.e. Janis "pearl" Joplin, with the other self-destructive heroes of our culture, Marilyn Monroe and James Dean. As the biography of a real woman, The Rose reveals nothing. It takes a marvelously idiosyncratic human being and reduces her to a cliche...
...that level however, the film works. Forget the idea that this film has any connection with Janis Joplin, the woman, and enjoy its insights into the cosmos of a "star." The Rose works splendidly when it treats Rose as a singing phenomenon transcending human limits and fails abysmally when it portrays her as a lonely woman with all of Joplin's reputed problems. As a star on stage, Midler becomes a voice and a presence. In the striking concert scenes, she projects an astounding vitality and animal-like ferocity, savaging both herself and the audience. Her voice lacks the razor...
...What social forms does human society pass through in its development from a low to a high stage...