Word: humanity
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Dates: during 1970-1979
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Frank Trippett's analogies to France, Germany and Japan are poor choices. Most of the U.S. lies south of much of Europe in a climate not always amenable to human endeavors. The choice is not cool comfort vs. "sweatshops"; it is gross national production vs. noonday siesta...
...Security Council meeting on the Palestinians had been rescheduled for last week. To avert a showdown there, Secretary of State Cyrus Vance and National Security Adviser Zbigniew Brzezinski had devised a plan to offer the U.N. a more moderate U.S. resolution that would speak of the Palestinians' human rights but not their right to an independent state. They sent Special Envoy Robert Strauss flying off to the Middle East, under strict, sealed instructions signed by Carter, to explain this plan to Israel's Premier Menachem Begin and Egypt's President Anwar Sadat. Finding them both strongly opposed...
...nature of the entire film that even these hallucinatory passages are not so powerful as they might be. At times they are as anesthetizing as the Viet Nam footage that once dominated TV's evening newscasts. What is missing from these panoramas of death is a human context. There are almost no well-defined characters in Apocalypse Now. The biggest nonentity of all, sadly enough, is Willard. We are supposed to see the movie through his eyes-which are frequently superimposed on the film's images-but those eyes tell us nothing. It is not Sheen...
...Francisco's Grimes Poznikov, who plays trumpet from inside a 6-ft. canvas box and bills himself as the "automatic human jukebox," rates cities by numbers: 14 for Seattle, 22 for New York, and so on. The numbers are his estimate of how many minutes a street musician can perform before getting moved on for soliciting or creating a disturbance. Cops, like rain, are a prime occupational hazard. Boston Licenses its performers for $10. Other cities give the police wide discretion to act on complaints about noise, or to play music critic...
...abstract underpinning of sculpture cuts down on what might otherwise have become a tough-but-tender street sentimentality. He is, as the catalogue suggests, a "proletarian mythmaker," though not in a political sense; and no other sculptor working in America today has done more to revive the human figure as a subject...