Word: humanizer
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Dates: during 1930-1939
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Twilight of Man is illustrated with Hooton's own drawings, one of which thoroughly illustrates the phenomenon of steatopygia - an accumulation of fat on the posterior - which appears in the females of some primitive human types, and which probably helped some women of the Glacial Period to keep warm when skimpier males crowded them from the fire. Hooton "apologizes" for his drawings thus: "Amateur illustration by an author is like profanity in conversation. It probably serves no useful purpose and certainly is shocking and objectionable to many, but the perpetrator enjoys...
Died. Paddy Reilly, 12, oft-decorated, Scotch-Welsh border terrier, mascot for the Humane Society of New York; of toxic poisoning of the kidneys; in Manhattan. He had saved from drowning, fire and asphyxiation some 40 lives, mostly human, but including canine, feline, and one canary. Sometimes garbed in a straw hat with pipe in mouth, occasionally wearing a brown derby presented to him by Al Smith, Paddy Reilly would appear in front of the New York Public Library to raise funds for the Humane Society...
...Errors puffs with unnatural effort. . . . His rhymes . . . rattle like bleached bones." But The Merchant of Venice, in which money and love go hand in hand and uncorrupted, is a "gentlemen's world," inhabited by "creatures whose only function is to sound in their lives the clear depths of human grace." In Henry IV, however, Van Doren considers that Shakespeare came to mastery by discovering that poetry can be better than beautiful; Hotspur, who hates poetry, is a fine poet "out of a hot love far nothing except reality and hard sense...
Exemplifying this trend is Ernest Fiene, German-born American painter. His oil, Night Shift, strongly protests against the humanity-stifling power of industry and its ever-increasing tendency to draw the life-blood from the individuality of the laborers. We see a group of shabbily-dressed workers slowly trudging toward the mines and factories where they are about to assume their tiresome and cog-like duties at the machines. The artist accentuates the depressing atmosphere which pervades the lives of these men by using as a background grim, grey chimneys and buildings, in addition to a cold, solid, winter...
...idealist in this question of war. He accepts the protestations of France and Britain that they are waging a crusade in complete good faith. He is convinced that this is essentially--nay entirely--a conflict between naked power and reason in international affairs, between the suppression of human rights and liberties and the glorification of the same...