Word: humanizer
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Dates: during 1930-1939
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...People, a radio program which sells Sanka Coffee, is anybody's and everybody's soapbox. Since radio's No. 1 schmalz*artist, Phillips Lord (Seth Parker), concocted it more than two years ago, about 1,000 human odds and ends have said their pieces during its half-hour broadcasts. An assorted few: Eleanor Roosevelt, Battling Nelson, Don Budge, Mrs. Dutch Schultz, the postmaster of Santa Claus, Ind., Tom Mooney...
...Great Man Votes" tells what happens to all good Harvard graduates who drink too much, and as such is a fine object lesson. It is also a very good picture in its own right. Although scornful of the ordinary limits of credulity, its whimsy and human interest combine to make a pleasant, more is at the top of his form, but is closely press-oftentimes moving, comedy. Actor John Barryed by two child performers. They are Virginia Weidler and Peter Holden, Broadway's infant who speaks with the wisdom and dignity of the ages...
Says Carroll: "I write as Ibsen did. I take the life of a small village and enlarge it to encompass all human life." It is finding a theme that takes time with him; writing comes easy. He plans no more religious plays. The theme of his next work, Kindred, is that a common love for art can bind people more strongly than blood or nationality...
...important, but he is Irish: he has rich-juiced dialogue, abundant humor, powerful characterizations. Mellow, charming Canon Lavelle and frigid, heartless Father Shaughnessy possibly provide too pat a contrast. But both are brilliant stage characters, inspire the belief that Carroll will some day achieve an even greater creation-mere human beings...
...connoisseurs know, weaving was not the only beautiful art of the Persians. Scholars may be engrossed by the Survey's detailed evidence that Persian art began even before Egypt's, that its course from 4000 B.C. to 1700 A.D. is the longest unbroken art tradition in human history, that it was the fountainhead of all Moslem art and the great synthesizer of the Orient, that such structural standbys as ribbed, transversal vaulting and, possibly, such minor techniques as cloisonne enamel were Persian in origin. Artists will be happiest looking at the plates...