Word: humanizes
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Dates: during 1990-1999
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...Many proponents of abstinence-only curricula wrote in to express their disappointment over what they saw as a misrepresentation of their position. Most abstinence classes, they told us, don't deny human sexuality. In fact, the classes acknowledge the power of the human sex drive and provide young people with ways of dealing with peer pressure and dating in order to remain abstinent. The decidedly non-secular foundation of some of these chastity-based programs, however, render them irrelevant to the debate over sex education in public schools; initiatives like the Southern Baptists' popular "True Love Waits" have strong religious...
...Human papillomavirus (HPV), more commonly referred to as genital warts, is one of the most widespread STDs and can also lead to cervical cancer. What many Harvard students may not know is that HPV cannot always be prevented with the use of condoms...
...problem, however, is that Pap tests are not always accurate. The results can be skewed due to human error in spreading the samples on slides and in reading the results. Since each of the hundreds of thousands of cells needs to be examined, abnormal cells are often missed. It is estimated that 20 to 40 percent of lesions are missed...
...that breaking bottles was very childish and set a bad example for our younger fans. We have a trained ape which accidently swallowed a halogen lamp and now projects images of its insides wherever it faces. We have the ape dancing to our music, which is something no human has been able to achieve...
...exhibit spans three rooms and 20-odd paintings Rothenberg produced in her New Mexico studio. In Dogs Killing Rabbit (1991-92), two dogs rip apart a rabbit as the dislocated outlines of human faces look on in horror. Four horse legs, familiar imagery to Rothenberg followers, loom above. The violence of the scene is captured in the hot, thrashing colors: the magenta of the horse's hooves, the reds and browns of the bloody bunny. The presence of the human heads in the upper right corner draws the viewer into an active engagement with the painting: as you observe...