Search Details

Word: humanness (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Heart which beats which beats heart which beats which beats . . . no one before Philippe-Gérard was able to capture this sun which comes and goes inside the human clock...

Author: /time Magazine | Title: Music: With a Song in My Heart | 12/7/1959 | See Source »

...oddest pop hits ever recorded-a French disk titled Heartbeat, featuring Composer Marie Philippe-Gérard and his "cardiac rhythms." One side is devoted to cha cha cha, the other to a Gallic rock 'n' roll. In each case, the rhythm section includes a thumping human heart...

Author: /time Magazine | Title: Music: With a Song in My Heart | 12/7/1959 | See Source »

Composer Philippe-Gérard, who wrote the score for the hit movie Rififi, long ago decided that "the truest and most exciting tempo of all might be the human heart." He borrowed a stethoscope, listened to some 50 hearts before he heard just the cardiac sound he wanted: it was thumping in the chest of a 21-year-old Parisian sales girl and model named Nicole Guillenette. What Philippe-Gérard liked about Nicole, he says, is that her heart turned over at a remarkably steady 58 beats to the minute (ideal, in his judgment, for rock...

Author: /time Magazine | Title: Music: With a Song in My Heart | 12/7/1959 | See Source »

...Despite an exclamation point that gives it the look of an Italian war cry, Fiorello! matches up with La Guardia, telling the story of New York City's Little Flower from the time he first ran for Congress until his second and successful bid for mayor. The irascibly humane fighting gamecock, whose career, as a matter of fact, has something of the air of a war cry, displays in the theater, as he did on the platform, a naturally theatrical personality. The period through which he moves (about 1916 to 1933) has a persistently gaudy glamour...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Dec. 7, 1959 | 12/7/1959 | See Source »

...help of a good cast, achieved his sharp little vignettes, his touching, muffled cries and lonely moments. In the mother he has created an interesting variation on a type, and in mother and son he has clearly sought to probe one of the most difficult and tangled of human relationships. That he has not done so seems due partly to method and partly to mood. The dancer's role, whatever its own interest or its catalyst value, somehow obstructs the son and mother story and keeps it from breathing. Into a short play, Inge has further tossed comedy bits...

Author: /time Magazine | Title: The Theater: New Play on Broadway, Dec. 7, 1959 | 12/7/1959 | See Source »

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