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Word: humberts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...novel Lolita traced the carnal pursuit of a twelve-year-old American nymphet by a middle-aged European émigré named Humbert Humbert, and the rather Electrafying relationship that developed between the stepfather-seducer and the child-mistress. The book's last scene is the movie's first. Moving numbly through a Hollywood-style mansion full of bottles, harps, glasses, statues, bot tles, grand pianos, glasses, sheeted furniture and an incongruous pingpong table...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

...Humbert (James Mason) plunks bullet after bullet into the drunk and glibly pro testing Clare Quilty (Peter Sellers), a TV playwright who stole Humbert's Lolita from him but did not keep her. In the book, the shooting of Quilty was eerily comic; in the film, despite the inspired foolery of Sellers, the scene is awkwardly and ominously facetious...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

With the end given away, the movie then goes on in a 2½hr. flashback to tell the full story. Humbert, a lecturer on French literature, rents a room in the home of Charlotte Haze (Shelley Winters), a New England culture voluptuary...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

Charlotte has a seven-year widow's itch for a mate. Humbert obliges, but only because he has a very special itch for her gum-chewing, Coke-swigging daughter Lolita (Sue Lyon). The shock effect of this is dimmed, since the film ducks the duty of specifying Lolita's age and gives the part to a girl of 14 who looks a round 17. Making her movie debut, Teen-Ager Lyon is simply overmatched by the demands of her part. She acts knowing rather than sexy, and she lacks what Nabokov himself has defined as the "demoniac" essence...

Author: /time Magazine | Title: Cinema: Humbert Humdrum & Lullita | 6/22/1962 | See Source »

...Miller's worst play, A View From the Bridge; who knows why (but don't get us wrong; we love Hollywood). At the Fenway (KE 6-0610),we would revert to our former mode of discourse to note that The Markis as dull as a film about a leching Humbert-type can be. Finally, at the Sack (CO 7-9030), Rosalind Russell and Alec Guinness reek of Absence de Gout (perfume and toilet water respectively) in A Majority...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON ENTERTAINMENT GUIDE | 3/2/1962 | See Source »

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