Word: humberts
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Dates: during 1980-1989
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...leading Hispanic writers are joined by a diversity of other developing talents, including Jose Rivera (The Promise), Lynne Alvarez (The Wonderful Tower of Humbert Lavoignet), Reuben Gonzalez (The Boiler Room) and Romolo Arellano (Tito). Like the black writers of a generation ago, the Hispanics seem to be moving beyond an initial preoccupation with anger, self-pity and reductionist politics toward a stage literature that communicates rather than confronts, that reaches for universality and yet portrays people individually. Enriching the American dramatic vocabulary with Latin techniques and traditions, these new playwrights also emulate their U.S. forebears: as in the heritage stretching...
...this time, "The Enchanter" had changed into the complex tale of the love affair between the brooding Humbert Humbert and his spunky nymphet. As Nabokov put it, the original short story "had, in secret, grown the claws and wings of a novel...
...WHOLE, the style of The Enchanter is somewhat disappointing. It has a lyrical grace, but the poetic descriptiom gets out of hand. The narrative is pumped with sweeping fetishistic passages. Told in the third person, it lacks the directness of Humbert's first-person narrative...
...essay, "On a book entitled Lolita," Nabokov explains how the novel represents "my love affair...with the English language." Having left off writing in his mother tongue, Nabokov, speaking through Humbert, toys with the American idiom, pinpoints his images with le mot juste...
THOUGH HE IS no Humbert, the chilling "enchanter" is engaging in his own right. Like other protagonists in Nabokov's work, the precise, thinlipped jeweler is probably mad, as he indulges more and more in his wolvish fantasies. Yet, at the same time, his constant introspection reveals a natural need for self-justification and an odd paternal longing...