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...forgotten the thrill of going inside our heads. TV execs are no doubt patting themselves on the back as to how imaginative they are being with shows such as the just-debuted "Big Brother." But do we really want to be reminded of aspects of our humdrum lives? Do you really need to relive your freshman year of college ("The Real World"), or be confronted by "Cops" (we all know somebody), or be stranded with the cast of "Survivor" (can you say "Family Vacation"?)? True imagination is that a children's book might have Bob the Lawyer seeing himself...

Author: /time Magazine | Title: Extra! Extra! Page One of the New 'Harry Potter' | 7/7/2000 | See Source »

...self-importance-hang-out affair which they know we call "Egos." Essentially, it's a matter of sharing a beer with the best, in their mind. To our surprise, after two hours, we were rather convinced. Gould, Dershowitz and Cox present something novel and exciting in the humdrum lives of us undergraduates: professors interested in examining issues anew--learning and thinking with a class--and not just repeating the same dry lectures they have to dust off each year and show up to give (e.g. Baker Professor of Economics Martin S. Feldstein...

Author: By The CRIMSON Staff, | Title: DARTBOARD: The Editors Take Aim at the Good, the Bad and the Ugly | 2/4/2000 | See Source »

...something more like a photographic Victor Vasarely image than a ceiling. Most remarkable of all is Gursky's Untitled, 1993, in which the vaguely modulated picture surface resolves into an expanse of well-tread, nubby carpet. Austere and precisely executed like all his other photographs, Untitled, 1993 transforms the humdrum by deeming it worthy of attention. This is astounding realism, both representational and abstract, documentary and mythical...

Author: By Jeni Tu, CONTRIBUTING WRITER | Title: DemiMundane: Ruscha's and Gursky's Unreal Cities | 1/14/2000 | See Source »

...these myths and folktales exist? Why are they so powerful? The reasons are twofold; we want to explain the unexplainable, and we want to believe the unbelievable. We want the opportunity to contemplate something other than the corporeal humdrum of everyday life. We want the vicarious thrill of hearing an answer to our most outrageous queries of What if? "The X-Files," then, can be seen as our filtration of mysticism through a more modern lens, with the paranoia of government conspiracy and the growing fears associated with the introduction of technology such as the Internet serving as appropriate...

Author: By Alixandra E. Smith, | Title: Fifteen Minutes: Endpaper: X-Static! | 11/4/1999 | See Source »

Until a few days ago, Ben Sobol (Billy Crystal) was just an ordinary, humdrum, neurotic psychiatrist whose lot it was to aid those more neurotic than he. But he had the misfortune to rear-end a Mafia vehicle and to view the contents of its trunk. The driver of the car, a clay-faced hood known only as "Jelly" (Joe Viterelli), told Ben to forget the insurance. Forget any of it ever happened. Forget there was a man laying bound and gagged in the trunk...

Author: By John W. Baxindine, CONTRIBUTING WRITER | Title: Analyze This Movie | 3/5/1999 | See Source »

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