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Word: humor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

INADMISSIBLE EVIDENCE. Bill Maitland is a modern antihero, muddled by progress, maddened by the machine, and mangled by his acute awareness that he is irredeemably mediocre. With astounding authority, 28-year-old Actor Nicol Williamson draws all the caustic humor and curdling vituperation from John Osborne's words...

Author: /time Magazine | Title: Television: Feb. 4, 1966 | 2/4/1966 | See Source »

...SCENE, STARRING PETER NERO (RCA Victor). Hollywood seems to be making more indelible music than Broadway. Thunderball, Forget Domani, The Shadow of Your Smile and Ship of Fools provide a varied program for nimble Pianist Peter Nero, who keeps an orchestra at hand to buttress his moods, among them humor: What's New Pussycat? and Help! get full and funny treatment...

Author: /time Magazine | Title: Television: Feb. 4, 1966 | 2/4/1966 | See Source »

...Wistful, Cassatt sits in slight supplication, knees and wrists together, her eyes deflected in reverie, her hands holding playing cards like a fan. She was appalled that he depicted her with gambler's tools, but for all her chamber-music modesty, she was not without a sense of humor. She loved recounting Degas' remark as he admired one of her many mother-and-child scenes, "It has all your qualities and all your faults," he had said, unable to resist an acid aside. "It is the Infant Jesus and his English nanny...

Author: /time Magazine | Title: Painting: Portrait of a Lady | 2/4/1966 | See Source »

INADMISSIBLE EVIDENCE. Bill Maitland is a modern antihero, muddled by progress, maddened by the machine and mangled by his all-too-painful awareness that he is irredeemably mediocre. With astounding authority, 28-year-old Nicol Williamson nets all the screeching humor and curdling vituperation from John Osborne's whirlpool of words...

Author: /time Magazine | Title: On Broadway: Jan. 28, 1966 | 1/28/1966 | See Source »

Genius or Gimmickry? Film Maker Hans Richter calls kinetic art "the movement movement." He applauds its humor, which gives "us a feeling of liberation from the purposefulness of all the [machines] that condition our life." Yet he warns that since the machine expresses purposefulness, and art purposelessness, combining the two to make an art of motion is dangerous...

Author: /time Magazine | Title: Styles: The Movement Movement | 1/28/1966 | See Source »

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