Word: humorically
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...developing TIME.com into a must-read destination and in launching Time's Style & Design luxury supplement. More than all of that, Ed was a vocal champion of the great journalism that we do every week in the magazine and every day on TIME.com We will miss his good humor and fierce loyalty, but his impact will live on in what we do every day. I know of no greater legacy than that...
...nothing to do with the Celtic pig, he should have been left on this work’s cutting block. That said, his pork-free adventures could have worked if he were an enchanting tour guide, but Barlow himself is hard to stomach. His attempts at replicating the misanthropic humor that works so well for fellow food writer Bill Buford (“Heat”) completely miss the mark. His overzealous defense of the pig as an animal worthy of plate space, for example, is not witty and charming, but absurd and disturbing: “You?...
...have less time, while also working on academics. It’s a very intensive process, but the creativity is remarkable.” The show will contain nine vignettes depicting the “Navarasa,” the moods of love, compassion, fury, fear, wonder, disgust, peace, humor, and valor. Instead of focusing on Hindu mythology, the directors have chosen stories and concepts from many different cultures and time periods. Helen Keller, the resurrection of Jesus Christ, child labor, and King Ashoka all make it into the show. Bharatha Natyam as a dance style facilitates storytelling...
...They lower the barrier between the population at large and the lofty political elite. One of the factors in low voter turnout in the United States has been a too-strong distinction between everyday life and the conduct of government, a psychological chasm separating voter from candidate. If humor and banter can serve as a vehicle for making the electorate think about the issues of our time and take a stake in their government, then our culture should not hesitate to make use of that vehicle...
...original 1994 production at Primary Stages in New York City. His new production is the result of a collaboration with the Harvard-Radcliffe Dramatic Club’s 2008 Visiting Directors Project. The play is at once an overwhelming spectacle of words that simultaneously aims to confuse, humor, and enlighten, without an end in sight. Initially, this constant bombardment is unsettling, for it prevents the audience from ever feeling comfortable with what is occurring on stage and from merely following what is being said. But surprisingly, the production as a whole doesn’t suffer from being somewhat incomprehensible...