Word: humority
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...hope that The Crimson can come to terms with our perhaps unorthodox way of running a campaign with a little humor thrown in. As we campaign to bring change to the UC, we would appreciate more respectful coverage of our ticket and some semblance of objectivity from The Crimson...
...Even the country's best-known blue movie director, christened Lindsay Honey, a name many porn stars would kill for, chose instead to adopt the comedy moniker Ben Dover. There's an innocence about such humor, as if Britons have been permanently stuck in adolescence since the Victorian era. But adolescence isn't the slow awakening it used to be, as Britain's soaring rates of teen sex and pregnancy indicate. The annual British Social Attitudes surveys chart a steady liberalization of British views on sex, with a majority of the public now finding nothing wrong with sex before marriage...
While the film’s subject matter is undoubtedly grave, Hancock—who directed “The Rookie,” another compelling underdog story, in 2002—seems to understand that there is inherent humor in the uncomfortable melding of seismically different socio-economic backgrounds, and he never stops effectively exploiting these moments of drama as simultaneous opportunities for humor. “Who’d have thought we’d have a black son before we knew a democrat?” remarks Leigh Anne’s understanding husband, Sean, played...
...careful hand in these details, Moverman conveys the characters’ hardest undertaking: recognizing that life blithely continues no matter the magnitude of personal grief. “The Messenger” taps into this message by conveying—wonderfully and unexpectedly—a small sense of humor amid so much desolation. As Stone and Montgomery playfully bicker about whose car to take and who gets to drive, the film reveals both the bitter and the sweet that many war-inspired films tend to miss...
...plainness is such that we can never quite understand Montgomery’s intense attraction to her, making that storyline fall a bit flat. But this is a minor blip on the face of a memorable force of a film—one that captures emotion without theatricality, humor without insult, and hardship without self-pity. “The Messenger” delivers not just a war movie, but a moving drama in its own right...