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Word: humority (lookup in dictionary) (lookup stats)
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...plays the dual roles of Old Gentleman and Girl’s Brother. “The show itself is in a lot of ways a reflection of Ben Margo’s personality,” says Zackheim. “A lot of his sense of humor, things that he doesn’t necessarily expect the audience to get but just finds really awesome, he’s more than happy to throw into the show...

Author: By Michelle Chun and Ben B. Chung, CRIMSON STAFF WRITERS | Title: Spring Season at the Loeb | 3/19/2004 | See Source »

...producer Katherine J. Thompson ’05 also highlights the show’s humor, drawn largely from the anachronistic clash of the characters. “It’s hilarious and at times confusing, but in this great way where it’s a mix of ideas sort of coming at you from all directions,” says Thompson. “It’s also got amazing accents. I would almost see it just for that...

Author: By Michelle Chun and Ben B. Chung, CRIMSON STAFF WRITERS | Title: Spring Season at the Loeb | 3/19/2004 | See Source »

...contrast, Goodkin’s Adrian was stiff and at times ridiculous in the obviousness of his effort. The clipped British accent and lack of sensitivity to the script’s humor resulted in a forced and unconvincing performance. Adrian’s downfall was a result of consistent overacting although the few lines delivered simply and spontaneously gave a brief glimpse of the possibility...

Author: By Mildred M. Yuan, CRIMSON STAFF WRITER | Title: Review: Dysfunction Made Delectable | 3/15/2004 | See Source »

...dream of America finding unity in its scorn for these avant-garde turkeys lasted until the moment I heard their music. It turns out Franz Ferdinand plays easily accessible radio-friendly pop, and plays it with more humor and joy than almost anyone else on the market. This band is really good. It's a little disappointing...

Author: /time Magazine | Title: Music: A Band You Wish You Hated | 3/15/2004 | See Source »

...lines: "Of course Douglas had quite lost his looks and I thought that must have been a great tragedy for him," writes Gielgud. Marlon Brando, filming Julius Caesar in 1952, is "a funny, intense, egocentric boy of 27, with a flat nose and bullet head ? he has very little humor and seems quite unaware of anything except the development of his own evident talents." His assessment of Olivier and his wife Vivien Leigh, whom he directed in Twelfth Night in 1955, is typically memorable: "He is a born autocrat and must always be right ? He dares too confidently (and will...

Author: /time Magazine | Title: A Man of Parts | 3/14/2004 | See Source »

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