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Word: humority (lookup in dictionary) (lookup stats)
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...Weepers," "Cherry, Harry & Raquel!" These films took the narrative excess and exuberance of the "Lorna"-period movies and lead-footedly revved up the pace, until they were little frenzies of lust and frustration. The playing of the actresses was even more aggressive, of the actors even more perplexed. The humor was foregrounded; now the world could say, for sure, "Oh - he's kidding," allowing uncomplicated enjoyment of the bustling and the busts. "Vixen," the snazziest of this crowd, was Meyer's all-time top-grossing film. "Unquestionably, without 'Vixen,' " he writes, "Russ would have been an also...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...special student this past spring, McGaffigan enrolled in Bernbaum Professor of Literature Leo Damrosch’s popular class, English 185, “Wit and Humor...

Author: By Stephanie M. Skier, CRIMSON STAFF WRITER | Title: Student's Identity Questioned | 8/2/2002 | See Source »

...Myers' humor isn't even adolescent, really. It's infantile. It's babies blissfully playing with themselves and their poop. Any parent knows that children don't have to be carefully taught potty humor; they are born with it. Then the parent teaches them that a fascination with body parts and functions is wrong, dirty, forbidden. Now pop culture teaches them that because it's forbidden, it's funny...

Author: /time Magazine | Title: This Essay Is Rated PG-13 | 7/29/2002 | See Source »

...Crude humor and violence used to earn films R ratings. These days, to get an R, you need to show something really outrageous, like a naked woman. (The system is still Puritanical in matters of sex, adult romance and flesh.) This trend, festering for a few years, looks rampant now. Why would that...

Author: /time Magazine | Title: This Essay Is Rated PG-13 | 7/29/2002 | See Source »

...more accessible but no less interesting book comes from Lincoln, California and the pen of Paul Hornschemeier. "Forlorn Funnies" number one (Absence of Ink Comic Press; 32pp.; $3.95) mixes sophomoric humor with existential despair in a full-color extravaganza that constantly surprises with its design. The opening page shows an archetypical villain, stove-pipe-hatted, handlebar-mustachioed riding his horse. The panels of page two, on the underside, have been lightly printed in the background, backwards, as if you could see through the paper - a kind of literal foreshadowing. Comically frustrated in his villainy, he asks himself "At what point...

Author: /time Magazine | Title: Reading on the Edge | 7/23/2002 | See Source »

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