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Word: humorizing (lookup in dictionary) (lookup stats)
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Leila A. Strachan ’04 spoke of the future, while Colin K. Jost ’04—the former president of the Harvard Lampoon, a semi-secret Sorrento Square social organization which used to occasionally publish a so-called humor magazine—delivered an often-inaccurate disquisition on the history of Class Day, inexplicably deeming himself “arguably more powerful than Larry Summers, physically...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Ali G Offends, Entertains on a Hot Class Day | 6/10/2004 | See Source »

...great sense of humor but he can be very earnest as well,” he says. “One of the necessary elements of being a columnist is that you need to believe that people can benefit from your opinion every week—Jon has that, he takes himself very seriously. But,” Whitaker adds, laughing, “There’s nobody in the world who deflates Alter like Contreras, and then Jon will dig himself even deeper, and Contreras will get even more irreverent...

Author: By Lauren A.E. Schuker, CRIMSON STAFF WRITER | Title: Crimson Colleagues Reunite at Newsweek Magazine | 6/9/2004 | See Source »

...National Lampoon, a comedy publication launched by alums of the Harvard Lampoon, a semi-secret Sorrento Square social organization that occasionally used to publish a so-called humor magazine, released Animal House in July 1978. ’Poonsters drew on Harvard stereotypes of their Ivy rival to chronicle the drunken exploits of the fictitious Delta House Fraternity as it battles the school’s dean, who wants to expel the social club from the Dartmouth campus...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: Students Hit the Sheets ‘Animal House’ Style | 6/9/2004 | See Source »

From the time Updike joined the editorial board, scarcely an issue went to press that was not introduced by a “JHU”-signed rhyme. His skills, Limpert said, coincided perfectly with the humor magazine’s needs...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: 'Poon to Pulitzer, Updike Runs On | 6/7/2004 | See Source »

...even stripped-down Wallace is epic modernism: big plots, absurd Beckettian humor and science-fiction-height ideas portrayed vis-a-vis slow, realistic stream of consciousness. In an effort to make his often bizarre endings more powerful, Wallace frequently stops stories before their climax, which sometimes improves them and sometimes makes them seem like an aborted attempt at a novel. When it works, it's part of his Pynchonesque trick of keeping the reader uncomfortable by withholding information and embedding the most devastating facts within long descriptive paragraphs...

Author: /time Magazine | Title: Books: The Horror Of Sameness | 6/7/2004 | See Source »

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