Word: humorless
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...sweet ride of their own. As ambitious as it is flawed, “Death Proof” fails to entertain as much as the blood-and-camp festival that is “Planet Terror.” Tarantino’s self-reflexivity is a bit too humorless, his dialogue too talky. What worked with a bunch of gangsters in the opening of “Reservoir Dogs” is just not that captivating with a group of regular girls. I know this game—it’s called let’s-reconstruct-Saturday...
...first woman chief of the White House speechwriting office. Institute of Politics (IOP) fellow Chriss A. Winston, President George H. W. Bush’s onetime head speechwriter, took a few dozen undergraduates on a two-hour tutorial about how to “take a colorless, passionless, humorless lump of words and somehow mold that into a speech that has life and lift.” Having a clear core message—“preferably one with news value”—and conducting thorough research are keys to a successful speech, Winston said...
...characters, the movie takes a “Super Troopers”-esque stab at parodying small-town cops, with such amusing situations as shootouts at the Neighbors’ Market and interrogations concerning the differences between vans and minivans. It also typecasts Zooey Deschanel as the responsible yet humorless younger sister, and features some bizarre, seedy-underbelly types, like the thieving and Ultimate Fighting Champion-training LM Gazaniga (Ebon Moss-Bachrach, “The Lake House”) and the entertainingly vulgar hardware store owner, Hesh (Judah Friedlander, “30 Rock”). The film?...
...Like all language or thought police, the nigger-nazis are humorless snobs who dream of a world without toilets. They are also caught in the ancient and reductionist view that the black community is little more than a motley crew of victims. Whenever someone uses nigger, they break out into breathless stories of lynchings, lunch counters and police dogs. They then assert that we nigger-users are doing little more than confirming and perpetuating our own ignorance and participating in a racist conspiracy...
...There is this paradox that terror is always a concession of impotence and insecurity and illegitimacy, and Stalin's rule had that. And with terror comes boredom, in the oddest way. Mohamed Atta brought boredom to us too. It's not just airport queues, with some humorless airport official frisking your 6-year-old daughter. It's the confrontation with the dependent mind. There's no argument possible. We share no points of discourse. It's like being with any fanatical Christian, for instance. The higher faculties just close down, because there's nothing for them to do. So there...