Search Details

Word: humorousness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...much time looking at the audience as at the screen. While watching Bonnie and Clyde, she noticed that a woman sitting near by kept insisting rather frantically, "It's a comedy, it's a comedy." That reaction, thought Miss Kael, aptly reflected the film's unsettling mixture of violence, humor and tragedy. Watching The PARIS.MATCH Defiant Ones in an audience composed of whites and Negroes, she noted two reactions when the black convict, Sidney Poitier, sacrifices his own freedom to try to save his white companion, Tony Curtis. The whites accepted the gesture in approving silence; the Negroes hooted derisively...

Author: /time Magazine | Title: Critics: The Pearls of Pauline | 7/12/1968 | See Source »

...People. This kind of pitch, with its view of the consumer as saphead, is still afl too prevalent. But, increasingly, as admen are trying to break through the CEBUS barrier, the old commercial is being replaced with the truly new brand of ad with miracle ingredients some honesty, some humor, packaged with meticulous care. It might be called the uncommercial, and it has transformed the viewer into a consumer of the pitch as much as of the product...

Author: /time Magazine | Title: Television: . . . And Now a Word about Commercials | 7/12/1968 | See Source »

...white man's plot to divest black people of their "historical revolutionary leaders." Novelist John O. Killens ('Sippi) writes: Styron "is like a man who tries to sing the blues when he has not paid his dues." And several essayists, without even the leavening grace of black humor, dryly accuse Styron's Turner of lacking rhythm in his speech. In fact, these black literary jurors are so outraged that a white man should dare to write about a black, they forget that perhaps the best portrait of a Negro woman in American literature was drawn by Gertrude Stein in Melantha...

Author: /time Magazine | Title: Books: Will the Real Nat Turner Please Stand Up? | 7/12/1968 | See Source »

...Steven Lale [June 21] objected to the "bearded, psychedelic 'freak out' " on your cover, representing the class of '68 [June 7]. I have met many people like Reader Lale. And behind their defense of faceless conformity lies a paralyzing fear. Fear of change. Fear of humor. And fear of disturbing their comfortable, fuzzy thinking. I, too, deplore the self-indulgent hedonism and head-in-the-sand anarchy gaining ground among youth today. But an ostrich is an ostrich, whether a soft-brained young anarchist or a soft-living non-think suburbanite. These birds may look different. They...

Author: /time Magazine | Title: Letters: Jul. 5, 1968 | 7/5/1968 | See Source »

...Symphony players a dazzling demonstration of bass playing, one of them said he was so good that "he sounded like a lousy cellist." At the time, Koussevitzky was one of three men in the 250-year history of the instrument who had mustered enough talent, courage and sense of humor to qualify as a virtuoso bass soloist...

Author: /time Magazine | Title: Instrumentalists: A Singing Bass: | 7/5/1968 | See Source »

Previous | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | Next