Word: humors
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Dates: during 1950-1959
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Executive Drive. By working hard at it, Symington has managed in recent months to improve his performance as a speechmaker. He still flops sometimes, but in New Castle last week, speaking without notes, he got himself across, livening his talk with touches of humor and personal history that rarely show up in his written speeches. Facing an audience sprinkled with steelworkers, he pointed to his days in the foundry: "I've poured my share of iron. I've stoked open hearths." Said a steelworker: "The guy's O.K. He's been in the mills. He knows...
...part of The Captain From Koepenick, however, is not intended to be funny; there are many chunks of pathos, all tending toward some half-hearted comments about the importance of the man and the unimportance of the uniform--all of which, in view of the potent force of the humor, are unnecessary...
Director Helmut Kautner has taken Karl Zuchmayer's biting leftist script and toned it down, both in political implication and in social description. As the movie proceeds one can see the effect which could have resulted from the blending of abject misery with bitter humor. There are flashes of what must have been really fine pathos on older, flickering, brownish black-and-white film. Blind street singers grind out a Weill-ish ballad, one playing a hand organ, the other tapping a drum with sticks taped to his elbows. A dying consumptive girl cries out in fear of the whiteness...
...almost every advertising rule in the book. Their ads are casually illustrated, almost never done in color, and they can pussyfoot around a subject so quietly that the reader sometimes has trouble telling what the ad is about. What they do have is fun, an aged-in-the-wood humor that tickles readers and rings up billings of $1,000,000 a year from clients who give them some 20% of the gross, compared to the usual agency fee of about 15%. Says bearded Joe Weiner: "People don't read ads. They read what interests them...
...have used them a great deal oftener; for poignancy and pathos are nearly all The Glass Menagerie has to offer, and the only measure of the success of any production lies in how well it projects these qualities. The audience at Saturday's performance found a good deal of humor in it, but for the most part it made me want to whimper like a whipped dog at the unmeaning cruelty with which people live with one another. This is not my favorite reaction to a play; I do not unreservedly enjoy the sensation of clenching my fingernails into...