Word: humors
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Dates: during 2000-2009
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...many pleasures. Farce is an ever-endangered movie species, nowadays occurring mostly in movies intended for adolescents (Something About Mary, The 40-Year-Old Virgin, Knocked Up ) and mostly in a slightly adulterated form. These movies tend to be more sexually alert than classic farces and richer in bathroom humor than they need to be. They are almost a guilty pleasure for anyone over the age of 30, which does not stop me from skulking off to see them. But with Death at a Funeral, it's particularly and perversely pleasurable to see actual grownups defying modern movie demographics...
...network but most enjoyed giving money away. When her foundation exhausted its resources, having spent $195 million to support institutions, programs and projects that benefited the public, Mrs. Astor celebrated that fact--and after that, she kept on contributing with her personal fortune. She had a sparkling sense of humor. She remembered names. And her intellect was lively: even at 100, she continued to write poems and articles. She loved to dance. She loved to flirt and thought that flirting as an institution necessary to romance had disappeared--a loss that she mourned. Love, she believed, brought out the best...
...your mailbox written in her own hand. When she had to send out numerous letters all at once, which had to be typewritten, she never failed to add her name and yours in her handwriting, with a bon mot at the end. She also had a sparkling sense of humor. She was delighted, for example, in 1981, when the Bronx Zoo, one of the great institutions she supported, named a newborn baby elephant after her. It was a boy, so they called it Astor...
...Early reviews have applauded the show for employing humor without losing sight of the underlying tragedy. At one point in the show, Hussein's henchman assert that Sayid "will go far" - well, "bits of him at least." And the foot-stomping number "I Wanna Be Like Osama" skewers Hussein's hunger for power: "While my lackeys loom like vultures, I'll declare a clash of cultures, kill civilians by the millions round the globe...
Director Taggart Siegel brings together professional footage and home movies in a cohesive—if not fluid—presentation. John does double duty as writer and narrator and gives us an intimate glimpse into the nearly defunct Midwest lifestyle with his characteristic flamboyancy and wry sense of humor. Despite his tendency to overdramatize, John comes across as a man crazy enough to be likeable; we realize in the end, though, that the man himself remains somewhat of a mystery...