Word: humors
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...frustrations and insecurities, but more importantly demonstrate that he is aware of how thoroughly dysfunctional his family is. The Compsons are trapped by their family’s history and heritage; Quentin commits suicide because, among other things, his sister Caddy has corrupted the family honor with her promiscuity. Humor is the vehicle that Jason uses to separate himself from the pressure of his family name. He is the one Compson brother who knows he must escape his family, but cannot initially muster the strength...
...Humor transforms Jason from a cruel antagonist into the tragic yet triumphant epicenter of the novel. In the novel’s appendix Faulkner writes that Jason “assumed the entire burden of the rotting family in the rotting house” before he “was able to free himself forever [from] the idiot brother and the house.” Faulkner reveals that Jason sells the Compson estate and puts his brother in an insane asylum—effectively dismantling his family’s history. Some might view this ending as tragic...
...ability to appreciate the comedic aspects of any great novel can expose new dimensions of a book’s complexities. An author can often reveal invaluable insights into a character’s personality through humorous details about his comic foibles or silly idiosyncrasies. Humor can be used equally well to humanize or ironize a character. But while the specific literary effects of humor vary from book to book, comedy serves as a surprisingly perceptive avenue to examine many novels...
...humor in “The Sound and the Fury” articulates the roles of the three Compson brothers in the family’s decline. The comedic power of the novel is most evident in the third section, narrated in the bitterly sardonic voice of Jason. The tone abruptly changes with the first sentence of the section when Jason announces, “Once a bitch always a bitch, what I say.” The fatalistic overtones of this decree permeate Jason’s narration as he mocks almost every character he meets. Faulkner uses Jason?...
...fiery piece united the strength of brass, percussion, and the raw chords of the strings, echoing the music of Stravinsky and Schoenberg. The piece was a worthy tribute to Kirchner, who Cortese said was “an extraordinary musician, filled with energy, enthusiasm, and a sense of humor and irony...