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Realizing the monotony, the producers evidently tried to inject humour in the form of Ted Healy and his face-pushing slapstick. Nevertheless, the murder is eventually solved, the diamond recovered, and Philip finds himself in Phyllis's arms. The two interests, humor and mystery, seem to get in each others' way throughout, frequently tripping up the action. Perhaps the one redeeming feature of the whole production is Elissa Landi, whose performance is good and beauty better...

Author: By T. N. T., | Title: The Moviegoer | 3/1/1937 | See Source »

...middle course on Continental Europe patterned after Professor Langer's course. It should also embrace Germany--now untouched by the specialized courses on Medieval Europe. The courses in Early Modern History are also in urgent need or revision. Only a person gifted with indefatigble energy and a sense of humour could get a good knowledge of this field. He would have to take the first halves of Histories 42, 50, and 55, the second half of History 40 and all of History...

Author: NO WRITER ATTRIBUTED | Title: COURSE CATASTROPHIES | 1/8/1937 | See Source »

...adage is true that one must go abroad to hear news of home. Stories of big week-ends drift back slowly; and viewed from the calm comfort of sobriety, incidents which were heartbreakingly disappointing are not without their tinges of humour...

Author: NO WRITER ATTRIBUTED | Title: The Crime | 12/10/1936 | See Source »

...thing, nineteen years ago, to find college students making statements like this: "Since the coming war will otherwise deprive the most deserving block of its veterans of the Bonus by their sudden and complete demise, the Bonus must be paid now." The Princetonians who conceived this clever bit of humour are not to be censored. Youth must play: and deadly fatalism is quite as diverting as belligerent and shallow pacifism...

Author: NO WRITER ATTRIBUTED | Title: VETERANS OF FUTURE WARS | 3/18/1936 | See Source »

Friesen's style is fresh and vigorous. There is a sardonic humour that is not laboured or sought after. Even the note of hope that creeps into the end in the form of a dream conversation is mildly contemptuous. It is the writing of a man who has seen life, men, women, and the world they live in with keen perception and deep feeling. One would probably miss the mark by very little in calling Flamethrowers an autobiography. Friesen sees the world differently. The winds speak to the characters, a trick that is far less obtrusive in Friesen than...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Bookshelf | 3/3/1936 | See Source »

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