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...fiction writers would have dared to imagine such a debacle. Outside the convention hall: the massed outrage of the counterculture -- antiwar activists, Viet Cong supporters, Yippies (who brought along their own presidential candidate, a porker named Pigasus). Within: the political machine that rumbled forward to confirm Hubert Horatio Humphrey as its nominee. Between the two sides: heavily armed National Guardsmen and the burly, blue- shirted Chicago police, the armed forces of Mayor Richard C. Daley, whose clubbing and gassing of demonstrators brought a new term into the American lexicon -- "police riot." When the beating and rock throwing stopped, the Democratic...

Author: /time Magazine | Title: Politics | 2/2/1989 | See Source »

...similar charade is now taking place against the opposition of only a handful of legislators. New Hampshire Republican Senator Gordon Humphrey has called for an early Senate vote, followed by "public pressure on the House to hold a vote before the deadline." In the House, Wisconsin Republican Tom Petri has demanded that Speaker Jim Wright require a vote on the raises before the waiting period expires. "If we lack the courage to face an issue as clear cut as that of lining our own pockets," Petri asked, "how can we expect the public to have confidence in us on more...

Author: /time Magazine | Title: Are They Worth It? Possible Congressional Raise | 1/23/1989 | See Source »

Robert Towne's plot recalls the old James Cagney melodramas in which righteous Pat O'Brien fought for his soul and rotten Humphrey Bogart tried to perforate his body. But the moral is utterly today: it's about going straight without paying the price. As handsome and slack muscled as a surfer past his prime, the movie renounces ambiguity for confusion. In the end, like an old set of tires or a frayed friendship, Tequila Sunrise just wears...

Author: /time Magazine | Title: Cinema: Two Out of Five Ain't Bad | 12/19/1988 | See Source »

Chandler's most immortal creation -- co-produced by Humphrey Bogart -- was the quixotic figure of the gumshoe, Philip Marlowe, private eye and public conscience, sitting behind his pebbled-glass door with an office bottle and a solitary game of chess. What made Marlowe special was simply the fact that he was nothing special, no genius like Sherlock Holmes, no Connoisseur model like James Bond. Just an underpaid drudge with, as one mobster says, "no dough, no family, no prospects, no nothing" -- except a habit of making other people's worries his own, and a gift for walking in on corpses...

Author: /time Magazine | Title: Essay: Private Eye, Public Conscience | 12/12/1988 | See Source »

COWARD'S plays rely on the lightning speed of witty repartee, which is rapid even for the British stage. Indeed, a quick pace seems to pervade the characters' every action. Elizabeth Humphrey as Mrs. Condomine affects a no-nonsense, secretarial air that perfectly fits, as her husband would say, her "glacial nature." As Humphrey's high strung counterpart, Peter Hirsch also seems to have had one too many cups of Sanka before the performance. This freneticism however, appears to be appropriate to Charles' character...

Author: By Esther H. Won, | Title: Ghost Blusters | 12/9/1988 | See Source »

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