Word: humphreyism
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Nary a "Pitchfork Ben" Tillman, of South Carolina, or a silver-throated Robert LaFollette, of Wisconsin, or a Hubert Humphrey, from Minnesota, all men who could take a national issue down to Main Street and rekindle political hope and energy among the discouraged and dismayed. Are those $200 billion deficits not a scourge? Isn't the trade deficit a demon? Aren't corporate mergers a scandal? Don't those nuclear arsenals mock common sense...
Somebody with wit, courage and a love of adventure needs to take over the Democratic Party. A handful of daring and like-minded competitors -- Symington, Johnson, Humphrey, Kennedy -- did that back in 1960, and then J.F.K. grabbed it all and took the world along. Reagan did it with the Republicans while the technicians with their polls and committees sputtered and protested his right-wing doctrine. But at least he had a doctrine...
...Humphrey Bogart, a Hollywood tough guy who did not need bodyguards, liked Sinatra and thought him "amusing because he's a skinny little bastard and his bones kind of rattle together." But the stories Kelley has assembled are too numerous and grubby to be passed off as the forgivable sins of an amusing scamp, or of a tough-but-decent slum kid who made good. During the 1968 filming of Lady in Cement, according to Producer's Assistant Michael Viner, a prostitute complained that Sinatra had asked her to stay for breakfast after an all-night party, and then used...
...Park" is less of a slow day and more of a mildly slow twenty minutes during which we en-counter Hal (Kris Kobach) and Norman (Will Provost), two men sitting, of all places, in a park. Norman, sporting a Mets hat, turns to Hal, sporting tacky Humphrey Bogart-wear, and whines in diluted Brooklynese, "You were eyein...
...sometimes drops his guard long enough to reveal a flash of erudition (Marlowe has atrocious taste in socks but can quote Browning). Touches of class cater to the tough-guy fantasies of the literati. Albert Camus, whose spare existential novels were influenced by U.S. detective fiction, looked like Humphrey Bogart portraying Sam Spade. Hemingway followed in the footsteps of Mark Twain and Ring Lardner. But it is hard to read such terse narratives as The Killers and To Have and Have Not without imagining gumshoe tracks leading back to Black Mask magazine...