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...rock, with mandolin, jew's harp, and some very funky ragtime piano to hint at the down home atmosphere, while drums, organ, and electric guitar give the music a drive which CandW does not possess. The album is technically sound and it is the kind of music you can hum in your mind when you're falling asleep in lecture. Each cut is very professionally arranged and performed to project the atmosphere which the Lyrics describe. As a unit then, the Band works. But judged according to standards set by people like Cream. The Experience, or the Who, group competence...

Author: By Jill Curtis, | Title: The Rock Freak The Band | 10/23/1969 | See Source »

...were playing games, were we. All right. I had take Hum 105 and could act with the best of them when I was angry...

Author: By Richard E. Hyland, | Title: Can We Know the Dancer from the Dance? | 10/22/1969 | See Source »

...total enrollment for the second year is Humanities 7. Taught by William Alfred, professor of English and author of the Broadway play Hogan's Goat, the course contrasts British and American plays of the last 20 years with those of Sartre, Beckett, lonesco and some early Greek playwrights. Hum 7 dropped from a high of 945 students last year to 736 for this term, though it is still easily in the lead...

Author: NO WRITER ATTRIBUTED | Title: Enrollment Falls In Math, Science, Rises In Soc Sci | 10/21/1969 | See Source »

Deafen the audience. Cudgel it severely about the ears with a blunt amplifying instrument. A hard-rock Modcom musical gives a theatergoer an acoustic third degree. His eardrums are refunded on the sidewalk. However, the test of a good musical score remains unvarying: not whether one can hum the songs but whether one can tell them apart. Hair has a beguilingly individuated score; Salvation does...

Author: /time Magazine | Title: New Musicals: A Guide to Modcom | 10/3/1969 | See Source »

...WOULD like to write that Eugene O'Neill's The Iceman Cometh, the first production this season at the Charles Street Playhouse is a play about illusion and reality. Now in Hum 7 you are told that all plays are about illusion and reality, and so to say that a particular play is especially concerned with the subject isn't to say very much at all. Realizing, then, that somewhere near a thousand students have already recognized the immediate inanity of my initial proposition, perhaps a few, extremely tentative assertions can redeem the case...

Author: By Gregg J. Kilday, | Title: The Theatregoer The Iceman Cometh | 10/1/1969 | See Source »

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