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Kosovo is not a place preparing for peace. Every day the province is filled with awful violence. NATO warplanes are slamming Serbian troops with tons of munitions, guided by tiny drones that hum overhead. Deep in the Kosovo hills, the Kosovo Liberation Army is fighting defensive battles, trying to conserve its resources. And in the middle of all this, NATO now says that up to 700,000 refugees are wandering homeless, brutalized by Serbian forces and desperately seeking a way out. Slobodan Milosevic has tried to put a lid on the province--limiting media access and stemming the outflow...

Author: /time Magazine | Title: As Kosovo Burns | 4/19/1999 | See Source »

...right. After three years of hype, hokum and ho-hum, we finally get it: Matthew McConaughey has star quality. We weren't so sure back when McConaughey was in every other film and on every other magazine cover. His summer-of-'96 double whammy, A Time to Kill and Lone Star, gave evidence of a gritty, ingratiating talent. But he looked lost amid the more seasoned actors in Amistad, and no one could have brought to sensible life the woozy guru he played in Contact. It seemed as if McConaughey might lapse into ex-hunk obscurity, like those slightly...

Author: /time Magazine | Title: Cinema: Famous for Being Famous | 3/29/1999 | See Source »

...film ladles on the bathos: as the group sings its farewell song, Harry's girlfriend Elsa dissolves into a puddle of conflicted emotion. If you remain dry-eyed, don't worry--this film does your crying for you. But it's brisk and entertaining. And yes, you will hum as you leave the 'plex...

Author: /time Magazine | Title: Harmony Is Still Heavenly | 3/22/1999 | See Source »

Lewinsky: Uh-hum...

Author: /time Magazine | Title: Interview: Monica Lewinsky Up Close | 3/15/1999 | See Source »

...Grisham adaptations and over-glitzy Batman flicks. As David Fincher did with Seven, Schumacher drenches his film with atmospheric feeling, turning darkness into its own entity. He is able to make the most simple of scenes, such as walking through an airport, appear ominous, and he uses the steady hum of the eight millimeter projector to create a sense of gnawing claustrophobia. Still, Schumacher was clearly influenced by Fincher, whose chilling directorial methods and artistic flair are better suited to such gritty material. As for Walker, his unflinching style remains as unnerving as ever, but he still has room...

Author: By Bill Gienapp, CRIMSON STAFF WRITER | Title: PORNOGRAPHERS | 3/5/1999 | See Source »

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